Reviews (page 11 of 14)
There are some songs i really like on this but it doesn't hold together well as an album. Not sure who thought putting Mother and Every Breath on the same album was a good idea.
I like some of the songs a lot. But I don't love the album as a whole. It's fine, some of the songs I'll add to a playlist but I don't see listening to the whole thing again anytime soon.
Some truly great 80s pop here. The album doesn’t hold all the way through, and it’s interesting that the hits are later in the album and most on side two of the vinyl. The hits are songs I could listen to anytime, any day. The rest, I’m completely indifferent. Hard not to give this at least a 4, but I’m rating the album as a whole. 1 - bad 2 - average 3 - good 4 - great 5 - outstanding
Enjoyable for now, but probably won't return
Hatte nie was mit police am Hut, ist wesentlich interessanter als ich dachte!
This is a curious album, in that the first half is slick but also formulaic and dull. and then it takes off with Synchronicity II, Every breath you take, Wrapped around my finger, before falling away again. The album certainly highlights what good musicians the Police were, but it also feels at times like they were going through the motions and it generally lacks the dynamism of their early LPs.
Another classic that I had never listened to in it's entirety. Add to the list of albums that are great from start to finish.
Really well made album. Every breath you take is honestly such a good song. Mother is one of the most unhinged songs I’ve ever heard. So weird
It was an overall quite good listen, this album has some nice and interesting songs, but some others aren't that good in songwriting. Overall enjoyable.
I think I need to listen to this again, but I also think it’s pretty overrated and underwhelming. Didn’t hate it, but also didn’t love anything on it.
3/3- Driving to school
That mom song is psycho, the rest of the album is so-so
The extreme awfulness of Mother is so atrocious that even the 7 good songs pale under the putrid weight of its detritus. Even the song about the blow up doll in an earlier Police LP seems good in comparison. Only a few old style Police. The ballads and jazzy songs are brilliant, but it's hardly the fun and spikiness of Regatta or Zenyana. A good send off, but surely album filler like Mother is unnecessary? A mostly excellent lp, but the new wave spike is replaced with slick Sting craft including that song about a creepy stalker, you know the one! 3 stats because I can't get over Mother.
So 80s! Love the up-tempo and the great mix of music to lyrics. A few cuts that are well known die to continually being played...
I like the Caribbean twist to the otherwise New Wave sound. But wtf was "Mother"??
I’d say it’s a decent record. Only a few songs that really didn’t do anything for me at all dragging it down. Some creative ideas on the songs that do hit though. 6/10
There is a reason why you only know one song from this album...
It’s fine. Tantric
Fine. Didn't massively grab me, but nor did it enrage me, even if "Every Breath You Take" has been played the frick out. Fave track - "Mother" for entertaining weirdness. "Murder By Numbers" I quite liked, too...
Nice.
Very interesting blend of influences on this album. Post punk, new wave, punk, reggae, world music. Worthwhile listen
Three or four. Dinosaur song made me laugh out loud. Not sure if that was serious.
Very 80's sounding, average, not bad, not good. While often misunderstood, "Every Breath You Take" is the best song on this album. The Police are a band I have heard of but am largely unfamiliar with their discography. I'm interested in checking them out more.
Instantly recognizable as the police with their iconic sound. Some hits, some misses.
Decent
favorite tracks - synchronicity I, miss gradenko, synchronicity II, king of pain, wrapped around your finger least favorite tracks - mother, tea in the sahara
It was alright. "Mother" was definitely a moment. Excepted a bit more from the Police to be honest
Not as good as their first two albums
Mostly too raucous for me.
Almost horrifically boring but not quite. Great background music so I'll give it three. I also quite enjoyed Tea in the Sahara and Murder by Numbers, in addition to the classic Every Breath You Take.
A clusterfuck of some true bangers and the worst songs you've ever heard in your life. Synchronicity I & II are great fun, probably the best two songs on the album. There's also "Every Breath You Take", which is also fantastic but I can't take it seriously anymore. "Mother" definitely exists. It somehow manages to be the stupidest song on an album with a song dedicated to dinosaurs. "Hey, mighty brontosaurus, don't you have a lesson for us?" is an actual lyric on this album that they wanted you to take seriously. Sounds like some Blue's Clues shit. Sting was 32 years old when he wrote that.
I enjoy The Police every now and then. By then end of the album, I was a bit sick of the vocals though. Not enough to hate it but I can only handle so much Sting. Still a good listen though.
Very average first half but killer second.
Yeah this sounds like The Police
I have few thoughts about this album. First of all, how out of place "Every Breath You Take" sounds on this album. The whole record is so lively and upbeat, with characteristic Sting's vocal and funky/rock guitars, and bringing fresh approach to popular music. And then we have their most popular (also terribly overplayed in the radio) song, which sounds like it was on this album by an accident. Second of all, is Sting a great singer? Of course! But, like it's a case for few more singers, listening to a whole album with his voice in a row is a certain type of torture. He changes the way he sings for "Every breath you Take", but all the rest is exactly the same, doesn't matter how much the melody changes. Pretty hard stuff. Overall, it's a nice album, I like both parts of synchronicity, but I won't be going back to this record often.
Hitazos y rollazos
This album is a mix of really good songs and utterly mediocre ones. Thus, it will balance out to a 3.
Tyckte inte alls om låten om dinosaurierna (ps någon framför mig på flygplanet kollar på Jurassic Park)
Having heard Every Breath You Take, probably a million times (don't know why people love it tbh) I expected the rest of the album to sound very similar. I was pleasantly surprised, but also mildly confused that this wasn't the case. In spite of all this, The Police did a decent job of melding a number of different styles, tempos and genres throughout. Best: Synchronicity II Worst: Every Breath You Take
I want to like this more, but I've heard the songs so many times they've become background noise.
Not bad, but definitely could have gone without that mother track
A few good songs
Solid and entertaining album
For me, these guys have a double album’s worth of incredible music if you put it all together. I’m not sure any of their original records is an all time great, but even if so, this is not it. One 5* song here, two 4*, one 3*, and some self-indulgent duds.
Super shiny deluxe pop. Take away the four monstrous singles (conveniently all back to back at the start of side 2) and we have a slight affair with in-jokes (Mother, Miss Gradenko), vocals by the drummer etc. etc. But those singles eh? BIG.
The Police was a great band for singles, but as far as LPs went, all of their albums were quite uneven, with filler that didn't age well at all. This one here is no exception, even though it has a few iconic tracks. Now the question is, if because of those singles you had to save *one* album by The Police, which one would you save? Not an easy one to crack out, believe me. Number of albums left to review or just listen to: less than 780, I've temporarily lost count here Number of albums from the list I find relevant enough to be mandatory listens: approximately a half so far Albums from the list I *might* include in mine later on: a quarter (including this one, *maybe*) Albums from the list I will certainly *not* include in mine (many others are more important): the last quarter (including this one)
A very interesting album by The Police that's incredibly hit or miss. Both Synchronicity tracks are fantastic, as is King of Pain and of course Every Breath You Take. There's a lot of pretty naff stuff here as well though, from the disturbing Mother to the cringey lounge jazz of Murder by Numbers
Mother killed this album
Bra til plankevors
Monday was a nothing day, kinda just rolled around, slept in nice, but much to do.
Album de la maturité? Intéressant d'entendre l'évolution du groupe. On sent un peu plus d'exploration vers des éléments de musique du monde. Les percussions dans Walking In Your Footsteps m'ont fait penser par moment à certains bouts de Tool. Malgré la présence d'Every Breath You Take (creepy d'ailleurs comme chanson) je ne crois pas que ce soit leur plus grand succès. On aurait pu passer à côté de cet album. C'est correct, mais je préfère l'époque punk rock des débuts.
The first couple of songs were so bad I almost didn’t finish the album. I’m glad I did, lots of songs that I’m familiar with and enjoy.
I feel like a lot of it sounded samey but it had some standout tracks. Favorite: Synchronicity II
Interesting stylistically. Mixed in quality.
EBYT
Enjoyed this.
Was aight!
I dont know, it was fine. I wont listen to it again, but I enjoyed the hour 2.7/5 so I'll go 3/5
vad ska man säga det är the police
It’s pretty good, if you can get past Sting’s voice.
Victim of poor quality control and letting the untalented song writing members of the group contribute. There is a LOT of filler - both the Copeland and Summers tracks are B side material at best, and there worrying hints of the faux jazz wankage that Sting strayed into as a solo artist. Points also deducted for suspect and vaguely repellent lyrics - Every Breath You Take is every stalker's theme tune. Bit of a shame really, because when Sting is on form he can definitely knock a tune out. When this is good, it's very good. "Hey Mr. Dinosaur/You really couldn't ask for more/You were God's favourite creature/But you didn't have a future." How prescient.
Un peu bizarre comme album, les chansons sont assez décousues! Je me demande s'il aurait pogné si ça avait été leur 1er album et non le dernier. Ya un contraste entre Mother et Every Breath you take disons! Mon père a l'album en cassette, ça m'a rappelé des souvenirs!
With this album they decided to move themselves along. The singles are strong the other a mixture, many solid a couple naff.
Eh, it's The Police. Never mind having them on but never rocks my world either. Every Breath You Take, King of Pain, Wrapped Around Your Finger are all good, though.
Good, quite Talking Heads-ish. Some enjoyable tracks but not really my scene
not my fav by them
Not enough great songs for me to give it a higher score
As a teenager the Police passed me by. I like a lot of the singles by the screaming girls put me off with their adoration of 3 handsome blonde guys. This it their break up (and 5th) album. Its interesting. Sting can be a twat but he knows a tune (though lyrics can be banal) Love the drummer. I find it a bit lightweight. I have no idea what "Mother's is in the middle. 3
Importante conhecer o contexto dos três hits. E confirma que as versões são mais interessantes que o original.
This was the first full album I’ve listened to by The Police. It was very avant-garde and I loved how they borrowed sounds from a wide variety of cultures and genres. The album seemed to mellow out over its runtime and seems more consistent in the second half. I really enjoyed Stewart Copeland’s drumming. On the surface it seems very simple but there’s so many little things he throws in that is really cool. Murder by Numbers was my favorite song of his. I’m really curious as to what inspired Sting’s lyrics…from 3 story tall brontosauruses to the saftey of Miss Gradenko. All in all, it was a good album. Not necessarily something I’d go out of my way to listen to again but I can see the appeal.
They are way more eclectic than I gave them credit for, but there was plenty to sleep by.
Some tracks are good, but overall it's nothing special to me
naaah
Don't much care for a lot of the songs on the album, but Synchronocity I and II are bangers, through and through, and make the album deserve it's place.
bija ok, rakstiju stipendijas pieteikumu, nevareju baigi nodoties, bet nav ari isti man lidz galam.
Second half of the album, absolute creamer phwoarrrrr
ok
has the stalker song and is pretty consistent throughout 3.5
Sometimes you need the right weather to fully appreciate an album. So with the sweltering heat today, I really dug the tropical feel of some of the tracks. There's a few interesting instrumental sounds, it's well produced, has plenty of catchy melodies (with Stings usual excellent vocals) and the lyrics are perfectly fine for a pop/rock album. Side one is good apart from the odd sounding 'Mother', which felt out of place and sounds more like a B-side. Side two is a bit too soporific though and the songs tend to drag. So overall, good but not great.
Definitely an album of two halves for me. First half, the Synchronicity bookends were good, but Mother seemed to derail it for me, WTF?! Second half, much more familiar - when I was starting out playing bass, I'd learn a bunch of Sting's riffs, they were always simplistic but effective.
Pretty good!
un peu désappointant
De sound van Sting. Ik vind dit album eigenlijk tegen vallen. Volgens mij heeft The Police leukere nummers op andere albums. ***
The Police is good but overrated.
Was a great album when it was released but holy crap - I can't listen to "Every Breath..." or "King of Pain" without feeling immediately annoyed. Didn't add, because frankly I'm tired of it.
The less common case where the second half of the album far exceeds the first half. Every Breath You Take has OVER 1 BILLION listens on Spotify!!! I feel like I keep regressing to the mean--this doesn't have enough in the first half to make me call this a 4-star album, but the second half is clearly timeless. 3.5 stars. Rounding down because I hate this system lol.
Being an "Every Breath You Take" specialist when the subject is The Police, I must say that this album impresses me with its variety of songs and styles, keeping the same 80's vibe that is pretty recognizable. It's far from perfect, but it is a lovely album and a good mood to start Monday.
I'll admit, I went into this sure that I'd dislike it. I didn't love it, far from it, but it was more complex and varied than I'd thought a Police album could be.
It's tha sound of da police. Sting makes me feel like a virgin gay guy ready to take a veiny purple dong up me bum bum for the first time. Get your fuckin' pipe right you there you tart.
un peu cringe mais ok Prefs: Synchronicity I, Mother, Miss Gradenko, Synchronicity II, Every Breath You Take, King of Pain, Tea In The Sahara Moins pref: Murder by Numbers
When I got to the songs that made the greatest hits, it was obvious they were actually their best songs.
Not as much fun as I expected - but I was in a bit of an anti-Sting mood when I listened.
I was expecting the worst here, but their annoying hits were mostly absent. It was actually fairly cool. Guess I'll have to endure the album with Roxanne on it some other time. 3/5.
I really rate The Police but I didn’t love every track. Some were excellent, some so so. All in all a high 3*
Very ska. Sting is hard to understand sometimes. Standouts: Synchronicity II Every breathe you take Murder by numbers
Man, the 80s really were a bad time for music. As much as I wanted to like this album, "Synchronicity" is plagued by all the worst diseases of 80s pop. Metronomic drum lines, painfully primitive synths, and saxophone solos that pop up like mushrooms wherever the mix gets dense. Seriously, what's with all the saxophones in 80s pop?! The first half of the album is an odd, muddy, mishmash of pop music tropes and mediocre songwriting. Which is why "Every Breath You Take" is such a shock when you finally get there. It is distinctly unlike everything proceeding it. The tempo slows, the production takes a big step forward, and Sting's vocal performance is suddenly deeply emotional. Is it creepy AF? Yeah, it really is. But it's also just good. Especially in the context of the rest of the album. Also, no saxophones. Win. The following track, "King of Pain" is also pretty decent. But, sadly, those two songs are the only standouts. The Police immediately step back into the pattern they established by the first half of the album with "Wrapped Around Your Finger" and it's a quick slide downhill from there to the end of the album. The Police were arguably the biggest band in the world when this album came out and, by all measures, "Synchronicity" was a massive success. But, by the time the pseudo-jazz car crash that is "Murder By Numbers" wraps up, it's painfully clear to a modern listener that the 80s were just the worst for music.
Disappointed. It's a solid album but from one of the most well known bands of all time, it is remarkably okay, and just okay.
Kann man gut hören. Zwischen 3 und 4.
I’m not a Police fan, but Synchronicity 2 is a really good song.
3.5
Reminded me of my childhood
Generally not a huge fan of the Police, but this album had a couple great tracks I had never heard. Certainly don't need to hear "Every Breath You Take" ever again.
Rollo. Le doy 3 porque tiene Every Breath You Take.
I thought this one would blow me away. Sadly, only one or two songs besides Every Breath You Take would be worth listening to again. Not really a fan of Sting's voice, it can be a bit grating. I don't know, I guess I at least understand the appeal of this record, there are some good songs and melodies, but as a whole, it's just fine.
New wave, post punk rock, 80’er, Sting, Every Breath You Take
Found it just ok. Very boring in parts.
Some classic Police songs. Some of the deeper cuts aren’t my favorite but the hits are great!
I like lots of Police songs, but this album is not my favorite. It seems like they're going for a kind of Residents vibe with some of these tunes. Some bands pull off that type of theatrical weirdness well, but I don't like how it's done on Synchronicity. The hit singles are decent: Synchronicity II is a banger, and Every Breath You Take has a great guitar hook, despite being the most famous stalker anthem of all time.
I like The Police, but really just their first couple of albums. By this point, it’s clear that they were chasing trends instead of following them. But this is also their biggest album by a wide margin, so *shrug emoji* There are good songs on here, but the best one is easily the bonus track, Murder by Numbers. I never really liked Every Breath You Take, but giving it a couple more listens, I can appreciate the tight production and Sting’s unkempt performance. It’s also leagues better than the ballads that immediately follow it, too. So yeah, it’s better than I recalled, but not the best that they’re capable of. C
Reminded me of My Life in the Bush of Ghosts a little bit. Sting really fancies himself though.
Overall I e see why it is on the list. I did forget how dumb the dinosaur song was though.
Het is nooit helemaal mijn ding geweest, maar klinkt wel goed en Every Breathe You Take is natuurlijk een fantastisch nummer.
Fijn plaatje! En ik kende stiekem behoorlijk wat nummers. Ik kan dit wel waarderen.
Not up there with the first 3 albums, but still refreshing and powerful
That was a trip. The songs ranged from enjoyable, to weird, to… about dinosaurs? They do have some entertaining lyrics at least.
Hmm. I don't have a lot to say about this one. It was okay, I guess. There was nothing that stood out to me and nothing that really made me angry.
3.7
By '83 the Police were in my rear view mirror, and songs like "Every step you take" and "Wrapped around your finger" provided the encouragement I needed to keep my foot on the gas. I like the title track, especially part 2 (with Andy Summers' guitar more upfront). Some of the others I find okay, and the last 2 songs are filler. On early Police LPs I liked the interplay between of guitar and bass but there's not much of that here. Andy Summer's vocals on "Mother" are brutal and the rhythm is different. It sounds like mid-eighties King Crimson with David Thomas (Pere Ubu) on vocals.
Sting once said, there's nothing wrong with Pop music because there's Good Pop and there's Bad Pop, I would consider this to be Good Pop. Everyone seems to talk about King of Pain (with over 1m listens on Spotify!) but I think the best song on this album is Wrapped around your finger, with its somewhat atmospheric/ pseudo-dub sound which builds to an emotional crescendo several times in the song. Also kudos to them for experimenting with a bit of jazz in Murder by Numbers, but it foreshadows Sting's soft rock sound that he would employ ad nauseum a few years later. I'm not sure why they stuck Mother in there though, its just experimental filler.
I kind of like this and kind of don't... Some classics, though.
Bit hit or miss. "Mother" is really strange. Sound of album is a bit dated
p good. mother is the only song that got me engaged
Musically excellent - side B more than Side A (albeit a little colonially culture appropriating) - classics such as “King of Pain”, “Wrapped Around Your Finger”, and “Every Breathe You Take” but lyrically - oh my. Maybe it’s just me but Sting sound like he is reciting an intel manifesto - the stalker in Every Breathe… The “Miss Gradenko” and “Tea in the Sahara” fantasies, the Freudian “Mother” and finally the Serial Killer in “Murder by Numbers”. It just gets uncomfortable to listen to with that perspective in mind - shame as otherwise the musicianship is wonderful and the hooks eerily beautiful.
A tale of two sides. Side A and Side B. Side A of this album is probably the weakest The Police have released in their career. Synchronicity I and II are both nicely rocking songs and save this side a bit. Especially II. The songs "Mother" and "Miss Gradenko" take away at least one star from the album. So incredibly bad. Then comes part B, starting with the overplayed "Every Breath You Take," followed by everything The Police became admired for in "The King Of Pain." "Wrapped Around Your Finger" and "Tea In The Sahara" belong to the best that the Police have ever done and the jazzy "Murder By Numbers," which was, iirc, a b side to Every Breath finished this side strong. 2* for the first half of the album, 5* to the second half.
2.7. Bit disappointing overall. Every breath you take is so far ahead of the rest of the album it's crazy
Some enjoyable tracks here, but also some others I don’t really care for.
The phone yelling song.... Why?
Would be 4 stars if not for the rant about his mother on the phone.
Boarder line 2 until a few trackers came through in the end
I know a lot of people love this album... the good news for them is that they will not have to fight me for it in the record store. There are a few songs on here that I think are ok/good but overall, I've just never been super into The Police's sound. Glad I gave it a listen since it is a well-liked album but probably not one that I'd return to.
Final studio album by the Police. Can you detect the fact they almost were not speaking? Is the increased use of sequencers to give a backbone to songs that prevent them having the play together? A great record of a band falling apart? They are clearly tight enough as a unit to sound like they are playing the same thing even when not speaking. I think this is about the only Police album that I don't own, so there was some fresh material here, especially on side 1. (Interesting that all the singles are back loaded on the album, which is a weird way of tracklisting, especially such a commercially ambitious band). The singles are really strong, which makes side 2 a very compelling listen. Side 1 feels a bit like experiments and filler. The production is a bit cleaner and focused than their previous studio album, and when they are rocking, has a lot of punch. Highlights for me are Synchronicity II, which is a good example of their power and purpose.
Not my favorite police album, could never hear EBYT again and be fine with it. Can understand why it was popular, very original at the time. “mother” one of the shittiest songs to ever be recorded. King of pain is sublime.
This album was probably the peak of their output as a band. The album seemed to stray a little bit from their reggae light sound to more of a pop sound. The album has some good singles but the album itself seems a bit uneven. There seems to be Sting songs and then songs by the other two members, the Sting songs being the best. Favorite Songs: I'll Be Watching You, King of Pain. 3 out of Stars
A couple of tracks on Synchronicity were really compelling, especially the sonic continuity of the second half of the record. Just wanted to point out that "Mother" might be one of the most unappealing tracks I've suffered through since the Jamiroquai record. The album starts off great with Synchronicity I, immediately falls off a cliff and when all hope is lost, recovers on Side B. Wild stuff. Fav Tracks: Synchronicity I/II, King of Pain, Every Breath You Take and Murder By Numbers
This album really cemented The Police as a singles band for me. I felt like most of this record was well-heeled, but ultimately kind of boring. Side B really picked things up, though, particularly Synchronicity II > King of Pain. Rating: 2.5/5 Favourite tracks: Synchronicity II, Every Breath You Take, King of Pain.
chill
Just remove the experimental rock-ish side 1 and this album could be one of the of the most decent and slick new-wave EP's of the '80s.
shiny stadium pop, let down occasionally by Big Words Crammed Into Lyrics Just To Show Off (Mephistopheles) and Clunky/Smartass Rhymes (College / Knowledge)
Shite first half, and great second one you get to evry breathe. 3
Finally, an 80s album that doesn’t overstay its welcome or choose the worst synth presets possible. Some tight, punchy compositions on this one using great interplay between guitars and synths. Sting’s almost improvisational bass and crooning vox on top yield an overall solid listening experience.
3/5 good but not enough
Mother was one of the worst songs I’ve ever heard but everything else was okay
The Apple Music master isn’t great quality unfortunately but good to revisit this. The strength is in the old side b as it starts timidly and only gets good halfway through.
A pretty meddling police album. It has the 80s toned to it and feels as if it’s them trying to be edgy and different. Every breath you take is great even if it’s weird. Mother is pretty rough and everything else is ok. 6.3/10
With the exception of a couple of weird and not so great tracks, this album is for the most part pretty good and nice to listen to.
Great album
First half of the album is pretty forgettable, second half is getting a bit better
It turns out Every Breath You Take isn't the only creepy song they wrote. Is this a cry for help? Best track: Every Breath You Take
I grew up listening to 'The Police - Their Greatest Hits' so I'm well familiar with Every Breath You Take, King of Pain and Wrapped Around Your Finger. These are Good Songs (the first two especially) and put a couple of stars in the bank early doors. But what about the rest of the album? Well, Kent, it's a mixed bag, both in style and quality. Synchronicity I is a good start. Then there's a song about dinosaurs which, it seems, heavily influenced the Dino Dino Jungle soundtrack in Mario Kart. There's some 80s funk stuff, a jazzy number to finish, and 'Mother', which is a real contender for the most mental track the generator has thrown up so far. Andy Summers, you weirdo! Predictable it ain't. But, all in all, not nearly as good as the greatest hits. EDIT: I've listened a couple more times. Now trying to decide if it's actually a work of genius. Well, is it?? 3.5
This was the album that put them into the stratosphere. I didn’t like it as much when it came out although Synchronicity I is one of my favorite songs. It hasn’t held up well… at least for me.
Definitely not the best album from The Police, but really good nonetheless. The biggest hits come from tracks 6-9, and the rest of the songs are good. Saying this is The Police's worst album may be true, but it's just because the rest of their work is unbelievable.
Some good. Some strange
Not a style I enjoy listening to, but not that bad.
Mix of good and bad songs.
Decent album, Every Breathe You Take is the standout track. Some slightly more... out-there tracks as well.
Almost immediately upon hearing this album I recalled that the drummer for The Police did the soundtrack for Spyro the Dragon. This isn't my favorite Police album, stand out tracks for me are O My God, Every Breath You Take, King of Pain, and Wrapped Around Your Finger.
Some pretty catchy sing-along tunes. I won’t cop the lie that the track ‘Mother’ made it onto the album on purpose. Sting was pretty good at digging Timmy O’Toole out of that well.
Some of these were okay. Murder by numbers is an interesting idea. Overall not super blown away
6,5/10 Legal
When Sting ruled the world. One of those asshole ego maniacs that treated "his band" like shit. You want to hate him, but can't argue with the songwriting on this album. The weakest tracks are the ones by the guitarist and drummer so also hard to feel sorry for them if this was their best effort.
A classic album, but I rarely listen to the entire album. Turns out, there is some real weird shit on here. Looking at you, "Mother"
Heerlijk police album met niet enorm veel hits erop. Beetje zweverige gitaar vibe, wel anders dan de andere album. Iets minder poppy
Album is good. I really do love the creepiness of every breath you take. Other than that, many songs blend together.
Not as good as I hoped, despite Every Breath You Take
It's Sting. Some songs are good.
Starts out pretty strong, gives vibes of "Take On Me". Songs are catchy. It's good but not really my cup of tea. Less interested in pop. Highlights: Synchronicity I, Mother, King Of Pain Lowlights: Every Breath You Take, Tea In The Sahara
A 3
It was like being in the 80’s Good for background. Some intense tunes.
I may have heard some other tracks by The Police before, but I only consciously knew Every Breath You Take. On the one hand, the music definitely has more variety than I expected and it's solidly executed. On the other hand, it just isn't very interesting to me.
Every breath you take makes up for the first part of the album but the rest isnt great.
Just alright, but it does have their megahit on it.
A couple of bangers and then not a lot
Doze. A impaciência martela na cabeça. Nunca mais acaba. Nunca nada acaba. MotA: Synchronicity II "With one breath / With one flow / You will know"
What a weird album. They lead with the worst songs, and throw all the bangers in the back. And to top it off, MOTHER is an abomination, and cost them a star. But when it's good it's great.
Some classic pop-rock tunes, nothing that I'd choose to listen to specifically, though.
// Favs: Every Breath You Take Score: Strong 3
Not a bad album. Every breath you take is a classic for sure. Not a huge fan though.
TIL that Sting is a serial killer. Seriously, wtf is “Murder by Numbers” if not a very blunt confession? Maybe your mum keeps ringing you on the telephone to check on whether all these girls you go out with make it back home. The Police have an awesome and unique sound when at their best. There are a few gems on here, but “Mother” was such weird shock it’s gonna bring it from a high-4 all the way down to a 3.
This album is named Synchronicity and there are two songs also named Synchronicity. Which one is the “title track,” I or II? Both? Neither because they aren’t technically the same as the album title? This conundrum should be a clue that someone couldn’t make up their mind about this album. By the way when in doubt, trust the math…Synchronicity II > Synchronicity I for sure. Every Breath You Take is worth a star all by itself. WTF is going on in Mother?!? That is some strange shit. The snare drum is fantastically off beat in King Of Pain. And that bookends this album for me. The offbeat characteristic is great in one case, yet completely perplexing in another. That’s how I feel about Synchronicity.
Not for me at all. Can see why some might like it.
Sounds more experimental than you would assume.
Album krenuo dost dobro, pjesma Mother je sve. Općenito album nije loš, al sam više očekivao.
Fun album, and everyone likes Every Breath You Take. Not as cohesive as I would have liked, but enjoyable nonetheless.
It's not bad, but it's my least favorite album by The Police, so I'm giving it three stars.
Not bad Not great
I have a memory of one of our teachers saying the lyrics of 'every step you take' in a speech about litter dropping -is that something that actually happened or...? Enjoyed the album, glad it wasn't one of the ones where sting puts on a cringey jamaican accent. There was one song I really liked but forgotten what it was called now.
First half quite esoteric, second half full of bangers. Need to listen again to see what all the fuss was about.
An old favourite.
Tracks 6 and 10 are highlights. Interesting concepts for most tracks. Sub-melodic, but electronic drum beats abound. Tracks 2 and 12 worth a listen. Track 4 weirdest.
Didn't hate it.
im expecting to sorta know it.
Blijkbaar ben ik geen fan van de 'New Wave'-versie van The Police...
.
Every Breath you Take King of Pain
This is a real mixture. you really have to tip toe through all the shit to find the gold! Synchronicity II is a banger as well as every breath you take. And then the rest is pretty poor.
Some crackers, good listen, prefer their albums before this.
It's a good album, just not exactly my favorite style of music
Z dyskorafii milicyjnej znam tylko dwa albumy, reggatta de blanc i pik dzisiejszego dnia, czyli synchronicity, jest to album w ktorym dosc mocno banda odeszla od klimatow okolo regowych, zeby zanurzyc sie w tym czym staly lata 80, wiec w odkrywaniu na nowo dawno zapomnianych gatunkow, no i synthow, bo to one stanowia o trzonie melodycznym tego albumu, chociaz nie jest to jeszcze tak natretne wykorzystanie jak na ostatnim radioheadzie, bo znajda sie tu takze traki bez zmodowanego dzwieku, o bardziej klasyczno rokowym brzmieniu czego dobrym przykladem jest zamykajacy murder by numbers, ktory poza swietnymi gitarkami broni sie mocno stingowymi wokalami, ktore czesto nie brzmia jakby moglyby byc lepiej nagrane, ale zostawione sa z swoimi niedoskonalosciami, nawet cos tak glupiego nadaje autentycznosci kawalkow jak dla mnie, bo najbardziej znane szlagiery z tej plyty, to bardziej popowe granie niz rokowanie, jak jeden z najwiekszych hitow ekipy, czyli every breath you take, ktory jest przeszywajacym otwarciem drugiej strony, to chyba wlasnie na takich kawalkach dobrze widac najmocniejsza strone the police, czyli w tym wypadku to bedzie liryczna zabawa konceptami, bo z jednej strony jest to album pop rokowy, ktory sprzedal sie dobrze i byl lub nadal jest sluchalny, a z drugiej strony za tytulem synchronicity kryje sie ciekawie przemycony koncept, synchronicznosc to pojecie wprowadzone do zachodniej filozofii przed junga, majace okreslac hippotetyczne znaczenie nie powiazanych ze soba zdarzen dla danego czleka, czyli odbiorcy tych zdarzen, jedna z tych teorii, ktore jesli chcialoby sie zastosowac z zyciu codziennym, to zdrowy rozsadek mozna schowac do szafy, a w odniesieniu do plyty, to przesiewajac liryke przez sito tego konceptu otrzymujemy naprawde przemyslane teksty i tak slodki love story z every breath you take nabiera kolejnego dna i wydaje sie byc wrecz przerazajacy, na plejaka obok najwiekszego szlagiera, wiec wspomnianego wyzej breatha, dorzuce king of pain i tea in the sahara, dzieki temu pikowi mam kolejna rekomendcje czytankowa, bo wyczytalem, ze glowna inspiracja dla konceptu krazka byla ksiazka the roots of coincidence koestlera, wiec czytanka na temat parapsychologii jak znalazl
Never been crazy about the Police but this was honestly some pretty solid pop. Also a lot of experimentation on this album (not all of it great, but I commend the effort). Synchronicity 2 did have me grooving a little bit. I did think the song "Walking in Your Footsteps was Hilarious," because Sting literally wrote a song about how Brontosaurus walked so humans can run. For that song alone we're going with a 3 here.
Sting is so hit or miss vocally. I wish that there was more consistency, because some stuff really rocks me.
Walking in Your Footsteps and Mother are both pretty horrible, there are some classics, and some meh stuff. Overall probably averages out to a 6
I only remember EBYT
Musically very solid and eclectic (not always in a positive way). Some jarring changes that make it not super cohesive as an album but I really like the songs. More groove than I expected. 3.6
sting is a horny creepy weirdo and damn can you tell. Even putting aside 'mother' which sting didn't write but 'was a big fan of'. || I think the first half of the album sounds like slightly better than average rock, and the second half is clearly sting beginning to leave the police and write pretty good pop music as a solo artist. I can't stomach giving it a 4, but 3 feels too low. Oh well.
FTP 1312 and so on and so forth The album is fine, I guess. I don't find it particularly exciting.
Good overall
Good album, plenty of variety here and showcases what Sting and the boys could do. 6.5/10
3.5| Vamos a verlo del lado oscuro. Mother es una canción impactante para un disco lleno de rock suave y pop, Every breathe you take es una balada que muchos le han dado un significado erróneo y hasta la han dedicado seguramente sin saber que es el producto de una relación que hoy dirían "tóxica". El disco está lleno de rolas fuertes y nada bonitas en cuanto a los sentimientos.
Nunca le había entrado a The Police y conocía la obvia y quizá un par más. Por algo será. La verdad me doy cuenta que no me gusta la voz de Sting cuando hace falsete y que sus arreglos para bajo/batería son a veces exagerados. Terrible la canción de Mother, pero sí me alcanzó a gustar Tea In The Sahara.
It was fine, didn't particularly grab me.
It's The Police so it's bound to be good in some capacity.
-Miss Gradenko is solid -Synchronicity 2 reminds me of guitar hero -Every Breath you Take is always good (pure nostalgia). -King of Pain is also pretty good -Wrapped around your finger= ZZZZZZZ
80s jams
6/10 Some good songs, sometimes a little overblown for my taste. Can't knock sting's musicianship though
Yeah, not bad.
Pretty good 80s sounds.. The Police are fine, I don’t think they’re necessary listening but certainly not offensive
Well the album is okay up until Mother, which is an absolute chore of a song. The album picks up again with Synchronicity II and Every Breath You Take. Wrapped around your finger is another great some. Why did they bury all of the best songs on this album in the latter half? I really think that I might actually like this album if the songs were rearranged a bit and Mother was dropped entirely. 3/5
My overall take with this album is that it is pretty enjoyable, with the exception of a few songs that are a little weird lyrically (Mother, Every Breath You Take, I haven’t liked EBYT like... ever). I really liked King of Pain and Miss Gradenko. Murder By Numbers was pretty good too (a ‘messed up’ song that I enjoyed). I’d give it a 3.5 but I’m going to round down this time.
Some fantastic songs, and some annoying stuff.
Jednim uchem dovnitř, druhym ven
Okay
1 hitt ja ülejäänud lood suht samasugused?
2.2/5 While every breathe you take is an all time banger, there wasn't much else to get excited about on this album.
Ugh, why not outlandis or zenyatta. This album is the beginning of the end
There's is some good stuff scattered through the album
funnily enough, I got this album on vinyl the other day for £12. obviously it's a classic album, so that was a pretty good deal just to have it on the shelf. unfortunately, I don't really like the album. lol. the first four tracks are all over the place and none of them are particularly good. 'walking in your footsteps' and 'mother' are two pretty low lows to me, and having those two separated by just one song is so weird. what a jarring change of pace in such a short time. 'miss gradenko' is okay, and 'synchronicity II' is a step in the right direction. then of course we get to 'every breath you take', which is a fantastic song and, I think, carries a lot of the weight of this album on its back. 'wrapped around your finger' is also a vibe. side B is a lot better than side A overall - to me it doesn't really have a miss on it. just makes the first half seem worse in comparison because what the hell were they doing? absolutely just messing about. no wonder virtually all the visualisers & music videos are on side B. 2.2/5
I didn't give this a very focused listen and I might have to do that some time. I don't know when I'll rush to do that though. It's pretty prog in parts. That's certainly more interesting to me than the reggae inflected pop rock record I first heard. Still feels kind of a difficult listen to me though. I think I struggle with the delivery style in general.
Synchronicity I: meh 3/10 Walking in your footsteps: very Madagascar vibes 2/10 not my vibe O my god: 3/10 only for the sax Mother: what the genuine hell is this I’m crying 0/10 Miss Gradenko: I don’t mind it 4/10 Synchronicity II: whatever 4/10 Every breath you take: one of my pitch perfect music discoveries, perfect song and clearly the star of this album 100/10 King of pain: whatever 5/10 Wrapped around your finger: okayy 6/10 Tea in the Sahara: okay I like this one 6/10 Murder by numbers: I’m neutral about this one 4/10
I wanted to like this actually, and it’s got a couple great moments. But overall it screams 80s cheese, really not a lot to like about this for me.
The beginning of this album was sonically engineered for me to loathe. Messy genre fusion incorporating the grating yelpy 70s rock vocals, sometimes with reggae accent amidst some van halen ass synths. And then Mother comes in and is like a shitty Suicidal Tendencies song that tonally made no sense. It did hit its stride more with me once we got to funkier pop staccato stuff and jazz elements and Stings vocals were a bit less grating. It alternates from some fairly decent, albeit creepy, songwriting with some absolute cornball shit. I won't return to this project as a whole, but Murder by Numbers, King of Pain, and O My God were standouts for me where the blending genres worked better and I didn't end up hating the whole thing. -Listened on 2026 beach trip
minus one star for whatever the fuck that fourth track was
Couldn't get through it
Overrated
He just sings in the same voice for the whole album, and it's not a pleasant style Initially I pulled a face at mother, but idk it clicked and it's by far the coolest song in this album. I don't think it's on the right album tho honestly it was so good this album is now boring High 2
it was ok
Not a band with any real originality. Cod reggae with silly lyrics. Sting always more palatable as a singles act
had to skip first track - was really annoying me. I thought I liked the Police - but now I'm questioning that! persevered with second track, couldn't listen to next two. Liked the second half of the album so very mixed feelings overall.
Mostly very acceptable background music. I put it on an it played in the background and mostly my attention wandered. Non-offensive Mother is very interesting, I liked the more experimental track. Synchronicity II is stand-out.
I just realised that P Diddy kinda ruined 'Every Breath You Take' for me. Fine album, but got to take points away for making me think of that guy.
The only songs of interest are those not written by Sting. Mother is like a slap around the face, but not in a good way. Miss Gradenko is really good, apart from the "Nobody But Us" bit which sounds awful. Every Breath You Take is no less creepy for the repeated listens, and the rest is just boring standard 80s pop.
Nah... Whiny, boring, annoying.
fave song: King of Pain (the beginning of this album was rough. the second half was much better)
Bang average.
I'm surprised how hard and unpleasant I thought that listen was.
Not a fan. I think it has aged badly.
Discordant and not quite my vibe at times, but some bangers in there.
#146/1001 🇬🇧 I expected much more from this. The first half is pretty dull until you reach the god-awful track Mother. What on earth were they thinking. Side 2 picks up the pace and there are decent tracks - all 3 singles i think, which prevent this from getting 1 star. Best Tracks: Every Breath You Take, King of Pain, Wrapped Around Your Finger.
I like the Police, but even their best albums give me mixed feelings. This is not one of their best albums. It's baffling to me how this one has become their critically acclaimed magnum opus. There is *so much* filler here, including basically the entire A side. And the hits on the B side are fine but very slick and commercial sounding. Also, these guys have serious masculinity issues and it shows on basically every track.
I'll be honest when I say that I didn't get much from this album. The big hit from the album isn't one that I particularly like, and the rest of the album didn't excite me. Maybe I just don't like the style of The Police; I guess we'll have to wait and see. Favourites: Synchronicity II Murder By Numbers
Not to sound to Allan Partridge but my favourite Police album is the greatest Hits. I'm normal a bit of a snob about this kind of thing, but every time I put any of their records on I'm skipping every other track to get past the experimental dub and new age stuff (which I love when other people do it). This album obviously has some contenders for the the top 100 singles of all time list, but for me sounds like a band with too many leaders with too many ideas, which frustrated me.
Sadly it seems I am not a The Police fan.
It had its moments, but this was not my favorite. The first half in particular wasn’t a great listen for me. 2.5/5
Far from being as good as I expected. Every Breath you Take is the exception of the album.
This album is pretty dull and uninteresting to me. While listening I mostly felt bored. It’s not the worst album ever, and there are some bright points here and there, but overall it just didn’t do much for me. I know this is considered one of their biggest and most successful records, but a lot of it feels flat and repetitive. Even the big hits like “Every Breath You Take” and “Wrapped Around Your Finger” sound cold and calculated rather than exciting. The rest of the songs mostly blend together into this polished, mid-tempo new wave sound that never really catches fire. Sting’s songwriting feels overly serious and a bit pretentious here, and the whole thing lacks the energy and personality of their earlier albums. It’s very 80s in production, which isn’t always a good thing. There are a couple of decent moments, but they’re not enough to save the record. Come on… this is massively overrated in my opinion. It’s fine as background music at best, but nothing I’d actively choose to listen to again.
This is dreck
Nikdy som nepochopil, prečo boli Police takí úspešní. Stiga sólovo mám radšej.
Some decent tunes, some not so decent. (2.5)
Listened to while drawing in Central Park, nothing stood out
My second Police album here. This was ok. Musicianship obviously flawless. Most of it passed me by though, aside from the singles it was pretty bland.
Very meh throughout. The people they were when they first set out would've hated this
Started out good but got pretty forgettable by the end
Don’t make me listen to the police ever again
some good, some less good. some of the songs seemed too high pitched for Sting's voice. I'd give it a 3 but I went to a Police concert once and Sting was really arrogant so 2
Fuck the Police.
Eigenlijk niet zo'n fan. Goed voor 1 liedje
Inget stort fan alls faktiskt. Bara hiten every breath you take var bra och diggade inte det andra alls faktiskt. Kanske behöver lyssna igen någon gång för att tycka det blir bättre
That was pretty forgettable to be honest. Outside of the singles (besides EBYT which I still find creepy af) there just wasn't much here hooking me in. Mother was an especially weird track that I don't understand how they ever thought that sounded good. 2/5
ah yes this album featuring popular songs like ... the stalker song Every breath you take
I found this to be much poorer than the ratings suggested. Side one is rubbish, side two is good, runs to be under average for me.
It's not as bad as expected, but I will probably never listen to this again.
I should've known that The Police had a cocaine phase. Disjointed even with two of their best songs
Best track last, but not enough to save this album Regatta > Synchronicity
2.5 - I've never cared for The Police but gave this a fair shake. There's some good musicianship but I just don't like the whiff of 80s white guy reggae and I find Sting to be pretty annoyingly /r/im14andthisisdeep. I'm still laughing at the lyric "hey mister brontosaurus / do you have a lesson for us?"
Not my fave despite the couple of hits
stuck between 2 and 3. two good tracks (the title tracks, every breath you take is very overplayed but i have to admit its pretty good. mother is an absolute failure in experimentation that really shows why the rest of this album is so boring; if That is what happens when they try to branch out i guess i’m glad theres so few risks in this thing.
MASTERPIECE
It was decent. "Every Breath You Take" is a classic, but holy shit "Mother" is the most god awful dogshit I’ve ever heard, and simply by it’s presence on the album, it goes down to a 2-star rating.
Decent album & quite short 3/5
Where to begin? A song about the dinosaurs? And what was "Mother"? The only reasons this wasn't a 1 was because of "Every breath you take" and "King of pain".
This was fine, but not my favorite by any means.
2.5
Side 2 is a meh album by a band that was once better than that. Side 1 is much worse than I remembered.
Does Synchronicity I sound like Yes or what? The whole thing is pretty proggy, as well as being a load of pretentious twaddle. I suppose they used to be an interesting band but the their decline began when Sting name-checked (and mispronounced) Nabokov back in 1980.
Surprisingly (?) so so. The big big single here is one I already was tired of before it was ruined by association, but I do love the sequel to the title track. So two and a half maybe?
What a snooze.
it's cool, not my fave really. not my favorite version of The Police by any stretch.
Just really dull. Listened to it only an hour ago and can only remember every breath you take.
I guess I just dont really care for the police. They just always come at me with the most sterile and smoothed over music. But its not just pop. Its rock music with zero edge. Thats my main issue. Sure every breath you take is impossibly catchy. But what else is there? One song isnt a great or even good record. One song does give it a bump but not that much. Its just kind a lame thing all around
Couple good songs, the rest...eh
It's decent. It's pretty boring overall. Favourite Track(s): Every Breath You Take Least Favourite Track(s): Mother
yeah nah
didn't like the guy's voice, and Mother hurt my head and I couldn't finish it.
1 classic single and a bunch of sexually frustrated nursery rhymes. I appreciate Stuart Copeland but this album feels like he's doing his summer job.
Didn't like much tho has some tasty bass 2 stars
Sting is murdering me with his numbers, about as much fun as hanging out with the actual police. Please no more Police!!
The hits I recognized prior are all obviously great but none of the songs that were new to me were all that interesting. Additionally, Mother is arguably the worst song ever created
Not my favorite. Mother was a terrible song.
It was ok but not totally for me
Was OK, especially first half, I feel it somewhat tailed off though, even though the bigger hitters were towards the end
Tää on aika kaksijakoinen levy. Toisaalta mukana on Policen kaikkien aikojen paras biisi King of Pain (jumalauta kuunnelkaa sitä beissiä siinä ekan kertsin jälkeen kun Sting alkaa kunnolla irrottelemaan!), mutta sitten mukana on myös lähestulkoon sietämätöntä paskaa kuten esimerkiksi Mother. Ja toki myös yksi historian väärinymmärretyimpiä veisuja Born In the USA:n ohella, eli Every Breath You Take. Se toki menee posin puolelle itsellä, ei siitä mihinkään pääse että bängeri se on, vaikka toki vähän kusenpolttama. Stingin ääni on vähän kaksipiippuinen juttu. Ymmärrän ihmisiä jotka eivät voi sietää sitä, itselleni se kyllä toimii. Se on ihan uniikki (ei se räppäri), ja sopii mielestäni näihin biiseihin kyllä kuin nenä päähän. Policea on vuosien saatossa tullut paljonkin kuunneltua, mutta ei juurikaan tätä levyä. Taas muistin että miksi ei. Kaksi helvetin hyvää biisiä ei oikein riitä, kun muuten mennään suossa. Valitettavasti kakkonen.