essential mom type album (complimentary)
When I was younger I preferred 2001 but I think I’ve flipped on that now. Some all-timer hard beats on here (some examples: “Fuck Wit Dre Day,” “Lil’ Ghetto Boy,” “Lyrical Gangbang,” “Stranded on Death Row”); G-funk doesn’t get much better than this.
Blue is appropriately one color, but it’s the multicolored mid-70s Joni of Court and Spark, Summer Lawns, and Hejira that is my favorite. The Fleetwood Mac-esque pop production can be over the top at times, but mostly it elevates Joni from a singular voice to a sonic worldbuilder. “Car on a Hill” is an all-timer.
First three tracks start this one really strong, capping off with the excellent classic “All My Loving,” but after that this album quickly devolves into one of the Fab Four’s least essential albums. They were brilliant hit-makers at this point, but it’d take the following A Hard Day’s Night to prove that they could sustain that excellence across an album’s runtime.
Probably the most agreeable new wave album of all time. That comes with its pros and cons - sure, The Cars have undeniable hits like “Just What I Needed,” but it’s kind of missing the edge that the rest of the scene had, no?
It’s the summer of 2007. In six months the banks will fold in on themselves and times will get tough, tougher than these millennial kids have probably ever seen. They’re going to need to D.A.N.C.E. to make it through this, and Justice will be right there with them. Right now though? It’s the summer of 2007. Party on.
Here we have an essential hardcore album I’ve read about in passing but just never got around to. Revolutionary for its time, these are Wire’s short songs taken to their logical extreme; this 15-minute format would end up enduring in hardcore, especially in its more extreme offshoots (grindcore, anyone?). Fun, breezy, rebellious. Perfectly cromulent punk.
One of THE ‘80s albums, and probably my favorite solo Gabriel. Packed with huge hits (“Sledgehammer,” “In Your Eyes”) and awesome deep cuts (“Mercy Street” is quietly one of the best-produced songs of this decade, or maybe ever). Simply essential.
Surely an interesting combination of sounds for its time. Now, a few decades after the heyday of jazz fusion, it can sound shockingly familiar. Still, it’s impossible not to have fun listening to this.
Essential new wave, obviously. “Heart of Glass” is one of the best songs of the ‘70s.
The crazy thing about Prince is that this is one of the most essential pop albums of the ‘80s, but it’s only like the third best Prince album of the ‘80s.
Was never one of my favorite ‘60s albums, but definitely a great representation of the aesthetics of the Summer of Love.
An odd little artifact and a favorite of Elton John, apparently. Critically acclaimed and commercially forgettable, and I may have to agree with the commercial reception. It’s got nice moments and his voice is great, but I’m not clamoring for another round.
Music designed to make you feel like a million bucks. But it only really reaches its full potential when George Clooney and Brad Pitt are explaining how they’ll rob a casino blind. And, well, you don’t get that part here.
Kanye is a deplorable person but a few of his records before he went off the deep end are essential to understanding the evolution of rap and are admittedly pretty damn fun. This era of Kanye is him at his most sane and his funniest, and this album in particular is one of the most consistent, stylistically interesting rap albums of the 2000s. Gorgeous, colorful soul samples everywhere. Skits that are actually pretty funny. Not a single bad song! Impossible for me to hate on this; if anything, it makes me a lot sadder about how he’d end up. Probably easier for me to like since I started listening to Kanye before his heel turn into bigotry - I get it if you have to skip this one.
There’s a very good case for Bollywood soundtracks (or any Indian music, really!) to have several entries on this list. Some of them are surely essential and would introduce me to pop cultural artifacts I would’ve otherwise ignored. But from my quick research, Shalimar was a critical and commercial flop. So why is it here?
The answer is that it’s a kind of fusion album, I guess. Mixed in with the more usual Bollywood soundtrack stylings are a bunch of scattershot Hollywood soundtrack styles. It mostly feels random rather than coherent. Bollywood is admittedly a blind spot for me, but this didn’t do a lot for me. Just an odd selection, more of an interesting curio than a must-hear.
An important cultural artifact, but I can’t help thinking: how much did the organist pay the producers to get his part mixed that loud?
the ultimate cock rock experience
I feel like that one clip of Kanye talking about the Lady Gaga Polaroid collab.
“I like some of The Beta Band EPs, but why the fuck do I have to hear their last album before I die?”
Awesome, essential hardcore album. Not my favorite from them so I have to dock it a star but their whole discography is under an hour and everyone who likes punk should listen to it.
When they play it live, they play it LOUD.
One of Elton’s finer outings. Gotta love “Tiny Dancer.”
Classic disco record, but not one of my all-time favorites or anything. Everyone knows the title track.
One of the most interesting records to come out of the late ‘60’s psychedelic wave. Deeply experimental, massively influential, basically an early example of electronic music. Like The Silver Apples, but they integrate those new strange sounds into more familiar (and sometimes parodic) forms. Glad to revisit this one.
clapton doing clapton things. it’s good! not really my style though
An album I want to love more than I do. Those first few songs are incredible, total classic material, but the second half of the record is weirdly forgettable. But it’s got “Fast Car,” and that’s a hell of a win.
Morally and aesthetically bankrupt. Not in the way that a stuck-up contemporary reviewer describes rock in the 50s or rap in the 90s that makes that music somehow sound even cooler, no, there is no *cool* angle here because there is nothing cool here. I thought it couldn’t get any worse and then Eminem showed up. Then Kid Rock dropped the N word. Morally and aesthetically bankrupt.
One of the best soul albums ever. Complex longform songwriting, production that still sounds gorgeous nearly sixty years later, and that voice. Undeniable.
Has never been my favorite Stones record, but like the Stones in general I’ve come around on it over the years. I think we (or at least I) take these guys for granted, they are deeply subversive and fun musicians and songwriters. I mean, just look at Led Zeppelin (their contemporaries) or the future cock rock bands of the ‘70s and ‘80s and it’s a world of difference. Fantastic record, but their legendary run wasn’t over yet…
The Replacements are one of the platonic ideals of alternative rock - ramshackle, a little punk, emotional, and very catchy. This is rock music equally for the yearners (“Unsatisfied,” “Answering Machine”), the weirdos who don’t fit in (“Androgynous” is one of the essential queer liberation songs, and it’s penned by an ally), and those who just want to play it loud (“We’re Comin’ Out”). Equally inspired by KISS and Big Star, this is one of the classic alt-rock blueprints. It hasn’t left my rotation in years, and it probably never will.
Iconic cover, but was never one of my favorite Bowie records. This decade may as well have been an eternity for Bowie with how many eras and sound shifts he went through, and this might be his most recognizable persona of those many lifetimes. Glam rock was never my style, though, so these early ‘70s Bowie records (minus Ziggy) have always been tough for me to get into - the Berlin era might be my favorite Bowie. Happy to have given this another spin though - I enjoyed it more this time!
very effective anti-smoking ad. smoking has never seemed more uncool!
I’m starting to think these guys like Lynyrd Skynyrd.
