9.1. What a groove (though Curtis still clears). Most underrated track: Think
Should have stayed buried
Oh great GOAT, the curse you gave us
riffs rip but i'm probably not going back to it
1001 albums that you should try to forget before you die
It still has kitsch charm and some inspired moments, but this hasn’t aged nearly as well as many of is contemporaries
I think part of me was always biased against wings because when I was a kid I knew a girl whose main point of conversation was “my dad was in wings with Paul McCartney” but she was annoying as hell so figured her dad and thus wings couldn’t have been very cool either. God was I right
If you don’t like this you don’t like music
Guy in hospice care finally listening to this album so he can cross it off the list: I could have died without this honestly
Less nostalgic and more a meditation in nostalgia itself
Not so sure about the “Love” bit
Id probably love to hear this live but didn’t need a record of it
Greatness isn’t perfection — it’s transcendence
I’m sure this hit hard at the time but does nothing for me now and felt endless. Not sure why Kinks same era same sound don’t evoke the same reaction
If I found out I was going to die I’d probably listen to bat out of hell again
Love her but not her best
Please sir can I have some mo’
Id rather listen to tom waits
Zero stars if I ever listen to this again I’ll know I’ve died and gone to hell
When you’re this talented even hot nonsense becomes profound
Yes. A thousand times, yes.
I’ll never get tired of this
a mixed bag, but the highs are essential cash
This would have made a great ‘lost album’. The mere idea of it would have been mythical. Sadly, the reality of it far less so.
Great document of the scene but never transcendent for me
A 40 minute version of that 30 seconds at the beginning of every Saturday Night Live right before the monologue starts
This challenge often feels like a time capsule, where you open it and think, how did they possibly think this is worth preserving?
I’m glad he’s having fun but I’m not really
I don’t think this will ever resonate with a version of me that’s not 13
I hope no one murders this dude
Another great visit with my friends the band
He still had it, but it’s not anything you really need
Honestly, I should probably be less of a hater
I’ll give it another chance later
I don’t have the death in me
I’m probably being too harsh as I like this band
Definitely has its charms
One of the few double records to reach that white album magic formula where the sum is greater than its parts
This sounds like rock and or roll
Oceanic depths of spirit here
“the man gave us billie jean, you say he touched those kids?” Is one of the worst lines I’ve ever heard in my life but the rest is cool
Cut a few tracks from this and it's a five. Unfortunately feeling groovy and silent night are such corny misfires that they accentuate the corn of the rest of it. Still, often beautiful, with two next level complementary talents
Da Funk is so well constructed that you wonder why most of the other ones just never seem to go anywhere
If you can’t afford the name brand this basically tastes the same with only a slight chemical after taste
I wish they had kept making music this human and affecting and avoided the path of purposefully universally relatable anthems that corresponded to no actual human emotion within the artist they took from here on out
unquestionably changed it all but still sounds too much like the primordial soup it emerged from
A delicious and hearty corn chowder
A frog in boiling water of brilliance
Maybe I like Queen now idk
man this dude must have been super charismatic
Very influential album. Before this came out gossip girl originally said “oo gossip girl” but then they added the xx after hearing Intro
10/10 drummer. Guitarist v good too. Cut Sting out of this and it might get a five.
So effortlessly good, such a natural blend of styles and skills, you can easily take it for granted. I’m tempted to rate this lower as a result, but I cant bring myself to
Wasn’t clicking, I’ll go back to it
i wore a big fur coat and then dropped it at the “coast to coast, LA to Chicago, western male” part to reveal a beautiful gown and everybody clapped
Lots of interesting noises here
When asked why they read, literary critics often have described it a search for the sublime — the transcendence of form. Secular theophany. Music rarely reaches those heights, but it’s reached that here.
An album exploring the disconnect between his desperate need for emotional intimacy and emotional unavailability. Some of his best songs and some throwaways, almost all produced and sequenced in such a way as to make the each track feel disconnected from the next
Clearly a master, but this particular recording didn’t blow my mind.
This includes a lot of their best stuff and also four or five songs that I can’t stand
My name is Weird Al Yankovic and this is the music I fuck to.
This album has had staying power for a lot of people, but I was soft on it then and softer on it now. Her voice is thin to the point of emptiness and becomes grating the more she layers it to cover for that, the production is slick but lacks the impact and spirit of its influences such as Jai Paul, Erykah Badu, D’Angelo etc. This is propped up at least in part by a parasocial cult or Knowles celebrity, I feel.
I’m gonna moan now. mmmmmmmmmmMMMMMMMMM.
Incredibly cool album. Far more than a Bowie/kraftwerk acolyte — the rhythm section adds a propulsive post punk/art punk aesthetic that elevates this from having a floating down the autobahn quality into its own thing. And unlike all the new wave synth albums that followed it, it doesn’t feel tethered to that scene. It would have sounded equally as cool released in 2006 amidst wolf parade and tapes n tapes.
This feels like buying one of those giant bags of jasmine rice at costco but for gershwin
John Frusciante coming into his own is really what elevates this material, and both Flea and Chad Smith are incredible musicians. But I don't connect with the the Kiedis scat-rap antics, songwriting and early funk dna like I did growing up. That made the majority of this album more grating and skippable than I was expecting upon revisit, so can't give this a great score. But it's not a 3 of mediocrity, it's a 3 of high highs and low lows.
It started with S&G, but what I love about Simon you can really start to hear here. Yes, he’s an inspired songwriter and evocative lyricist, but he always seems to feel claustrophobic within his own aesthetic — always pushing the boundaries and pulling from disparate genres and cultures — and it’s that tension within himself and within his music that stopped him from becoming another static singer songwriter type, and often elevates the material, and at the very least provides enough contrast so that he’s never boring. Plus, he’s funny.
Some of the best songs ever written and also some songs where he imagines calling the president to tell him what European actresses he wants to fuck. Flawless.
One all timer here, the rest throwaway. Also, isn’t it kind of crazy that when Papa John Philips’s daughter wrote in her 2009 memoir that her dad had groomed her into a ten year physical relationship, the media reported it as a tawdry but consensual affair? I guess Monday, Monday is pretty good too, but I prefer Neil Diamond’s cover.
Timbaland and the Neptunes do such inspired work here that it made this dude seem cool for like a decade and a half.
She’s only transcendent at a bossa nova tempo for me but I like her enough to 4 the record where she does marching band music and duets with a small child too I guess
Too unpretentious to demand respect but deserves more of it than most we give out
I was going to give this a 3 because Back to Life is a stellar groove but the proper version isn’t even in the actual album and without it this is fine, unremarkable, the kind of pleasant slightly innovative in context product of its time I’m fine forgetting where we left it
Perverse, reference laden, narratively oblique, full of words that don’t mean nothin, like luptid? Welcome back, James Joyce.
Lou’s voice is such a powerful thing. He’s a great writer when he wants to be, but even if he’s singing the most mundane pop lyrics his delivery can imbue them with layers of meaning — menace, detachment, ennui — that make them feel profound or affecting. Oft imitated never bested.
The faces as a band were better than this rating suggests, they just weren’t reflected well through their album output. I really like several of these songs but they’re weaker in this context, but come alive for me on the five guys walk into a bar box set, which sadly didn’t make it to the streaming era.
For all these inspired Kanye beats, I can’t really get past common himself here, who seems to be trying to make the Bush era To Pimp a Butterfly (derogatory) and the best writing he can do amounts to stuff like: “So many raps about rims I’m surprised fellas ain’t become tyres!”
After this dropped everyone had to sell their dulcimers and switch to acoustic guitars because they knew they could never compete
After this dropped everyone had to stop going electric and switch to acoustic guitars because they knew they could never compete
A blown vein of emotion, no wonder everyone thinks it's autobiographical
Grunge’s greatest fuck you.
Its reassessment is a fuck you to the haters, but regardless of where the consensus has now landed, the work itself is a fuck you to a lot of things: a misogynistic culture, to her peers and her riot grrrl feminist contemporaries, to herself and her own failings, to her marriage, to the world itself.
Courtney has far more to say than any of her peers, and i think she’s the one that got kurt to be more direct in his own lyrics.
But it’s complex and informed without being too pretentious — she’s literate in a way that normal people really aren’t anymore.
She’s a hugely flawed person and her own ambition led to her outsized celebrity which led to the backlash, but we more easily recognise the artistry of male artists in that predicament, and it clearly exists in spades here.
So influential it’s a struggle to hear this with fresh ears, but if you want to try, focus on how intimate this sounds, even with a nine-piece band, and then you’ll start to hear the unique brilliance that’s still potent in these tracks, and why it still stands on its on feet even compared to where these artists grew from here.
the thing about being a conscious rapper is you'll get ecstatic five-star reivews from the british press and be shortlisted for every prize and then six years later your biggest contribution to culture is a guest spot on a late-stage koombaya coldplay song