1001 Albums Summary

I enjoyed this. It was fun and original. Not particularly thrilled by any of it, but it was fresh. Good stuff. 4/5

This is good, but not as urgent as his debut album. I'm not sure what the story is behind him releasing a second album, but it seems like it was sorta just to release another album. I don't necessarily see a problem with that, except that it shows in the finished project. I suppose, though, only when compared to his first album do I notice any detracting qualities. Everything else makes for a great album. It is just a tad more boring, though, and Bon doesn't have a voice that is all too exciting to begin with. I did enjoy it, however. Lovely to listen to this morning on my drive to work. 4/5

Sounds like what I imagine Tool sounds like mixed with hair metal. An interesting combo that I don’t think I’m into. They seem a little late to the game. Instrumentation shouldn’t be stealing the show. Lyrics are fine, but the way this guy sings them makes me tune out. Also, there are five songs on here that are over seven minutes long. Fuck that shit. They didn’t need to be that long. It’s a fine album, but not for me. 3/5

This be the fuckin ‘go to’ album for folks who want to sound real damn cool when asked about what kind of music they like. I really like this album, I do enjoy it, but it ain’t the best thing music ever shat out. I mostly struggle with the lack of a central theme. The songwriting is consistent throughout and even the lyrics have the same endearingly nonsensical tone the whole way through, but I can’t really tell what’s driving this record. The mix of common and strange instruments is done beautifully. Vocals stand out as unique, though not annoying, at least, not after listening once through. Very good stuff. 4/5

I come downstairs into the guest bedroom to make the bed. It’s a nice day and the windows are open. I’ve listened to the first song on this album already and paused halfway through the second. As I enter I say to my phone “Hey Siri, play” and that’s when I hear a noise outside the window. It’s my neighbor, Frank (or is it Fred?). He thinks I was saying something to him. I immediately flop on the bed, hopefully out of sight. I think I’m all clear, but that’s when I remember my previous instruction to Siri. She obeys my request and resumes playing “This Is Your Life”. Full blast, as that was where I had left the volume. Surely Fred heard the song start before I hastily grabbed up my phone to stop it from going further. I realized Frenk probably thinks that I’ve paused it because I’m embarrassed to be heard listening, so I resume playing but at a volume low enough where I don’t think Frad could discern what it is. I slip onto the floor into something akin to the fetal position and listen to the next two songs on the ground before I get up (during “Dare You to Move” ironically). Fredank is gone, along with my dignity. I make the bed. I listen to the rest of the album. What is a switchfoot, anyways? 3/5

I believe, and always have, that Cake is one of those artists that stand apart from others with a sound that is impossible to imitate. This (arguably) being their best album, I don’t mind the inclusion. They’re good in small doses. This is the first time I’ve listened to one of their albums start to finish. The non-hits are so much more interesting than I would have thought. Of course they are. Why wouldn’t they be interesting. The horns are used masterfully. Just a downright delightful album. 4/5

I enjoyed this album. Great riffs, punching drums, iconic vocals. The lyrics are memorable. Melodies are original. Not the most range, but a good bit. Very nice. 4/5

I’ve listened to this before and remember liking it so much I wanted to listen again someday. Here I am now, this is a good inclusion. Instrumentation is great, especially the guitar melodies and the production on the drums. Vocals are where this project is held back the most. They aren’t bad, but they sound like every other brit in an indie band at the time. If the album were any longer, his singing would have started to get on my nerves. As a whole, it was very enjoyable. 4/5

There are some albums that are great because of how innovating they are. They're experimental and change the direction of the genre. That's nice, but then there's another type of album that exists so comfortably inside the genre that it's just a delight to listen to. Like, "Yeah, this is some fuckin reggae right here". It is. It is some fuckin reggae. It isn't changing the world, but it's a solid album. Strong foundation. They knew what they were doing and weren't trying to do anything more than have fun. I respect that. 4/5

To whoever picked this album, I respect the choice, but ‘None Shall Pass’ is a better album. I remember listening to Aesop the first time. Immediately shot to my top ten hip hop artists. I enjoy the production and beats. The lyrics can be are refined, almost to a fault and the flow is alright, but paired with the monotonous tone of his voice, becomes dull. Otherwise, I love his work. Great stuff, Kirby. 4/5

For the user entries, I try to be more understanding of the choices. These albums, as opposed to the regular list, have been selected by users who have completed the list, that is to say, people who really enjoy music. So, these albums have an extra layer of meaning to me, as they are some of the favorites of some people. Therefore, I want to respect the opinions and choices and style that fellow listeners have. That being said, this album is a firm. 1/5

I listened to their latest album earlier this year. Got a lot of great reviews. I heard it, I understood the importance, I got why people enjoyed it, but I did not like it. I feel the same for this album of theirs. Once again, I respect the whole of it, but it just isn’t my thing. I wish I could enjoy this. Glad that so many do. 4/5

I’ll admit that it was a little difficult for me to stay invested or the whole album. Each song was good, but the lack of range got to me. I enjoyed it, though. Good lyrics, singing, production, instrumentation. Nice pick. 4/5

Didn’t make the biggest impact on me, but I enjoyed listening. I especially enjoy “Emmylou”. Just a fun and carefree album. A joy to listen to. 4/5

Sounded a little messy. I’m not sure if the intention was for something a little dirty, but the mixing on the opening track made it so difficult to understand the vocals. I remember there being long solos that were pretty cool, the lyrics were thoughtful, and the instrumentation slaps. The vocals aren’t the most unique out there, but they do the job. Production and mixing is mainly where my critiques lie. That and the whole album feels a little stale. Otherwise, enjoyed it very much. 3/5

Production is very nice, but whoever mixed this made the instrumentation, which is very good, way too loud so it drowns out the vocals. Lyrics are great when they can be heard and understood. The overall vibes are strong, but the nitty gritty is rough. ¿Comprende? 4/5

I thought it was alright, not my cup of tea. I was enjoying that last song, but then it had a hidden track. Can't do that. Can't do it. 3/5

This was nice. Felt like they were doing their own thing. I enjoyed the melodies, though it seemed the best ones faded with the second half of the album. I’ll enjoy re listening. 4/5

Well this was interesting. A couple of thoughts right off the bat; sounded a lot like Arctic Monkeys and came out two years after they started, a lot of hatred towards young women, and the final song is a banger. The whole album is actually kind of bangin. Great melodies and instrumentation throughout. Production was good. Vocals were eerily similar to that of Alex Turners, but not necessarily derivative. The writing and song structure could lead to the derivative comments, though. The discontent with the girls in these songs is odd. It isn’t played for laughs, so we’re supposed to seriously accept that all of the women in this country are floozies. There isn’t a bit of self awareness until the final song when the singer admits that he’s not open for a lasting relationship, which makes it the best track on the record. Otherwise, very enjoyable, just don’t read into the lyrics too deep. 3/5

He's improved from the previous album, which was an improvement from his debut. The production is both better and more experimental. His vocals sound less like John Lennon. I'm not sure that I like it better than 'Lonerism', but it's a damn close race. He has still yet to effectively establish range on this record. Not quite the idea that if you've heard one, you've heard them all, but more that it becomes predictable. A delight start to finish. Well done, there Kev! 4/5

Obnoxiously long and pretentiously self indulgent. Disturbed wants to be Tool, yet fails and creates mediocre music (at best) and still manages to entertain more than this. I don’t mean to go so hard, but I don’t like Maynard. 2/5

I really enjoyed the second song and the second to last, but Depeche Mode was never my scene. This album doesn’t bother me as much as Violator, but it won’t be going in my library (except for those two aforementioned songs). Good album, though. Well done. 3/5

Honestly very middle of the road. Nothing was bad, nothing was great. It was all, mostly, good. Flow, samples, lyrics, production. Nothing to really write home about. A little dated by 2003 standards and the skits were a bit much, but otherwise, just a solid album. 3/5

This album has one of my favorite songs, a number of other bops, and the rest are still good at their worst. Hayley’s iconic vocals paired with the boys’ quick drum fills and snappy guitar riffs are always a fun time. Possibly their best record. I always enjoy listening. 4/5

I enjoyed the shitty production. It fit perfect. I’m not calling the album shitty, I really enjoyed it. Wasn’t as much range as I was hoping for, but the lyrics, songwriting, and the overall energy were great. Top stuff. 4/5

This album fucks! Production is immaculate. These guys don’t sound like anyone else and it’s always very refreshing. If anything, they sound too much like themselves, which I would say is their biggest crutch. Their success in sounding different from any other band leads them to relax into their own sound and not risk evolving. That’s not entirely true for every album, but the three albums of theirs I’ve listened to all sounded fairly similar. All very enjoyable, but they certainly have a formula. I like the formula, though. 4/5

I really wish that he explored some of these songs further. 17 songs over 34 minutes averages to two minutes a song. I believe Jeff can provide us with some more thoughtful songwriting if he held himself down and made an epic. Seven minute long Jeff Rosenstock song would slap so fucking hard. Anyway, that’s my only complaint. I otherwise, really really like this album. Great energy, lyrics, production, etc. Solid time. 4/5

While my instant reaction to live albums puts me in a state of fight or flight, I will say that this is one of the better ones. Pink Floyd has always been one of the better bands to see live. My main complaint with live albums, specifically for this list, is that it feels like cheating. The artist gets to choose their very best songs to include on the album. That can lead to the album feeling a tad disorganized, as it has tracks from multiple albums and, presumably, different eras of the artists life. This album just goes balls to the fucking wall with that idea and says, “Yeah, we’ll just put it all in”. The ENTIRETY of Dark Side? Sure, why not? So my main concern with live albums is put to rest on this occasion, however there is always the downside that the sound quality isn’t as good as the studio recording, but I’ll say this is certainly one of the better audio performances in terms of live outings. Not perfect, the crowd is a bit too prevalent. The instrumentation is great. The vocals are not as good as the original recording. Sorry, they just ain’t. Otherwise, all very nice. It’s a live album so I don’t mind the two and a half hour long runtime. Wish Roger were here. 3/5

How do you make a live album sound this good? Some producers from the original list need to know. Maybe it's just that electronica is the best genre to play live. I don’t know. This was just about as good as a live album can get. Goodie. 4/5

This is one of my favorite albums of all time. Fantastic inclusion. Better than any Who album on the original list because it’s their most fully realized project. I would say that it's only real competition is Tommy, but I prefer this. Production is incredible. I'm listening to it on vinyl (how pretentious!) and the John Entwistle's bass is coming through clear as day. Thank goodness too, because he's going off on this one. Keith Moon is perfection as always. Crazy lad. Pete’s writing is at it’s peak. Story is not the craziest, it’s fairly simple, but it presents a universal feeling about the struggle of belonging and what to believe in that everyone can relate to. Roger Daltrey’s vocals are cutting, precise, emotional, aggressive at some points, and soft when they need to be. I love this album a lot. So much range. Every song is a treasure. Fantastic. 5/5

A beautifully cynical look at American life or just the world in general. I like the lyrics, instrumentation, production, and songwriting. I wish there was more range, though the album never became dull. If you can really listen in on what they’re saying, it makes the album a lot more enjoyable. 4/5

This album is so cool. Absolutely banger. Really listen to the lyrics so you don’t miss out on the sick plot that happens, or read a summary as you listen. Just make sure you know what’s going on because it’s bonkers start to finish and I love it all. I love the writing, lyrics, production, instrumentation, energy, range, and all the choices that went into making this. I love the ghostly “oohs” on both versions of “The Wanting Comes In Waves”. I wish this was more well known and could be adapted for theater or something of the like. I look forward to listening again. I hesitate to give this a five only because it’s my first time hearing any of these songs, let alone the album as a whole, but maybe one day I’ll feel comfortable giving it a five out of five. For now, I will just enjoy it immensely. 4/5

Funky shit, Donny! Mr. Gambino has submitted this project after two previous rap albums. While this is a shitty hip-hop album, it’s actually very enjoyable if you think of it like a George Clinton type record. Childish has a number of hits, and some otherwise very supportive deep tracks. I’m not a phan of three songs. “Riot” ends too quick. “California” sucks and should have been omitted entirely. Like, seriously? We needed another song about that state. Also, shout out my boi D.C. Young Fly. “The Night Me and Your Mama Met” is an instrumental that didn’t feel completely out of place, but certainly could have used something more. Everything else was stellar. 4/5

The is album was neither funny, nor in a foreign language. I do wish it was a little more interesting. It drifts into the background really well. The lyrics were interesting in both good and bad ways. Instrumentation was there. Not great, not terrible. Vocals weren’t unique or notable, but fine. Songwriting was uninspiring, yet inoffensive. This is an album and that is a fact. I wonder if AI could churn out something this forgettable. 3/5

Range certainly wasn’t an issue with this one. At least, lack of range wasn’t. There may be too much going on here to be a cohesive album. What does Lemmy Kilmister style vocals have to do with sweet soft ballads? Perhaps I need to listen again to get it. Nevertheless, I really enjoyed the album. All the songs were great. “Fucked Jam” is a masterpiece. Best song ever written. I think the second half is better. Just my own personal opinion. Love it. 4/5

I loved the drums and the songwriting was epic, but there was little else to keep me engaged. Vocals, production, and lyrics weren't bad, but they certainly weren't very exciting. It's an interesting album and I liked all the songs, there was just something missing. 3/5

Oh what a lovely album. I’m thinking of playing this at my wedding someday, as long as my wife to be approves, but, with beauty like this, who could say no. The vocals are angelic, so soulful. The songwriting is next to none. “Eatin' up the wallpaper, crawlin' the walls Sick on the ceiling, dead in the head”. Such poetry. I fear man may never create anything this good ever again. What a blessing to live in a world where Scraping Foetus of the Wall has created ‘Nail’! An instant classic!!! I didn’t fuckin enjoy it. 2/5

I found this to be a very pleasant listen. The production was excellent. I felt that the focus was a bit too much on making the production sound really cool and, because of that, the production did not end up mixing well with their overall style. Just my own opinion, it may work for some other people. I really did enjoy it and look forward to listening again. 3/5

I’ve always wanted to listen to a Rita Ora album. It was a wonderful way to start off my Saturday morning. Great vocals, songwriting, lyrics, production, etc. It was all very good. I’m surprised she isn’t talked about more. Good stuff! 4/5

Honestly not thrilled by this live performance. Was putting me to sleep. The instrumentation and vocals and production were just not there. Everybody was half there. Love Bruce and these songs, but this isn’t a great showing of them. Another example, to me, of live albums being poor. 2/5

This just felt a little strange to me. Going around and playing with blues legends is fine and all, but the main artist doesn’t really make an impression. It’s sort of just a compilation of blues musicians playing some of their best songs live. I enjoyed it. I think it’s an odd pick. 3/5

Holy shit, those Elvis comparisons were not exaggerated. If someone told me this was his alter ego with even a semi-convincing argument, I’d have no trouble believing them. The album is fine, but it doesn’t “transcend the genre” as Graham is quoted as saying. He would have needed to release the album a good number of years prior to do that. Instrumentation is fine. Production is sloppy. I didn’t not enjoy it, I just don’t think it’s technically great. I enjoyed the songs, they were fun, however, this is not a masterpiece or anything of that nature. 3/5

This may be one of the most experimental pop-punk bands to ever exist. It’s hard for albums in that genre to try something different while staying pop-punk instead of becoming a different genre altogether. Blink-182 is a very talented group of blokes who knew how to write an album. Numerous hits and mostly bops. This is their best album and I’m glad that it was added to the list. “Don’t waste your time on me / You’re already the voice inside my yed!” 4/5

This is all over the place in the best way possible. You never know what the fuck is coming next. Ranging from genre to genre to genre so effortlessly. I know a guy who swears that Tally Hall is the best band to ever exist. I don’t doubt for a second that he believes that with his whole heart. They’re certainly very unique. The songwriting is great, if a little scattered, but the production, instrumentation, and lyrics are all fairly solid. I enjoy them. 4/5

Björk is so talented!!!!! 2/5

These guys are phun. A little late to the game, though. This sounds like it was made in the early 2000s. No shade or nothing, at least, not too much. I enjoyed it, but there isn’t quite enough to have it feel original or unique. 3/5

This album is so much more influential than I would think, being that I’ve never even heard of them. Affecting decisions about Led Zeppelin and Darth Vader. Crazy. I love the instrumentation. Spot on perfection without getting too tight. Vocals weren’t anything special, but they got the job done. Maybe I just have a soft spot for this type of rock, but I really enjoyed it. 4/5

I’d have given this a perfect score if the singer sounded a bit less like Elvis Costello. The songwriting was fantastic. Instrumentation and production were both spot on and worked effortlessly together. Lyrics were thoughtful. I really liked this. I’ll enjoy listening again. 4/5

This is pretty sweet. There are a couple tweaks I’d have suggested here and there, but ultimately a solid and very enjoyable album. The production isn’t the best. Maybe they’re going for a rougher quality, which can work very well, and indeed would have complemented their sound nicely on this album, but it ends up sounding a tad unfinished. A little muddled if I do say. While the songwriting is pretty unique and strong, there are a few parts where I wish some more thought had been given. Some songs stop short where it would be clearly beneficial to extend and some do the opposite. Those are my only tweaks and they’re fairly minor to my overall experience. The vocals are iconic, the instrumentation too. Lyrics are just de-lovely. Stellar album cover. Great stuff. 4/5

Not my type, but I understand why people love it so much. Pretty good album all in all, if not a bit boring if I do say. Otherwise, lovely, but I doubt I’ll be listening again soon. 3/5

Alrighty, this is definitely not my thing. I see the appeal, but it was just too long with “nothing” going on. Obviously there wasn’t actually nothing, but I couldn’t find anything to latch onto. Maybe that’s reflective of poor writing, or maybe I, as a listener, should have tried harder. Nevertheless (whatever that means), this album was consistent, had range, and I can’t complain too much besides its seemingly unearned length. 3/5

This is, I shit you not, the third mid 2000s experimental hard rock/metal album I’ve gotten in a row and it’s starting to get to me. So let’s do this again. While it isn’t my thing, I won’t hate on it, nor will I hate on people who enjoy it. It’s too long and not quite interesting enough for me. Please send another genre. 3/5

While the production was stellar, the songwriting was underwhelming, especially when combined with the vocals, and it led to a very boring album overall. Goodnight. 3/5

Translation: “BUY FURNITURE BUY FURNITURE BUY FURNITURE!!!”. No thanks. Your ethereal subliminal marketing won’t work on me! The Poäng is pretty nice though. 3/5

One of the best jazz albums of all time. Unique and original quality from start to finish. I’ll never be smart enough to understand what’s going on here, but I can certainly enjoy it. Love it a lot. 5/5

This sounds too much like the soundtrack to a Michael Bay film. Nothing against soundtracks, but they’re created to complement the film. There’s no film here so those grand instrumental bits feel saccharine. The vocals are overly dramatic. Lyrics are cliche after cliche. Production is falteringly derivative. Instrumentation is solid, but ends up feeling off balance with nothing else to latch onto. 2/5

I thoroughly enjoyed this album. Easily her best. She’s never really had a reason to write like she did for this album. For that reason, every song slaps. I honestly couldn’t say which half is better. Obviously the vocals are stellar, it’s Beyoncé. The production is absolutely stellar, the features complement lovely, songwriting is perfect, plenty of range. Furthermore, this album is just downright important. Fuck it. 5/5

This isn’t the most original album, but it gives off a warm cozy feeling. It’s very comfortable in what it’s doing and that comfort is infectious. You don’t always need to be doing Björk levels of experimentation. Sometimes what works - get this - works. 4/5

I appreciate the inclusion on the list, but at no point did this album have enough going on to be able to keep me from tuning out. Neither, at any point, was this album offensive in any way. It was nice, just nice. 3/5

They shouldn’t have ended with the shittiest Doors cover known to man. Seriously, they played that song fucking verbatim with no interesting changes whatsoever. The rest of the album had shitty production, uneventful instrumentation, lackluster lyrics, and vocals that would be pretty alright for a high school talent show. Call me a hater. Say I’m drinking the hatorade. I don’t care. I’m not the one who has to listen to this again. 2/5

Absolutely stellar and fantastic production. Boring as shit. 2/5

A lot of the instrumentation sounded like karaoke backing track but was solid in some other parts. Production wasn’t the greatest. Vocals were there, but didn’t particularly excite. Lyrics were good. Some songs on here were pretty fun. The whole thing was fine, maybe even nice. 3/5

This is that guy at camp that says really edgy things in hopes of sounding cool, but it ends up making everyone cringe. The songwriting wasn't bad actually, but the lyrics tanked the whole thing. I think, maybe, he achieved what he was going for, so that's something at least, I guess. 3/5

This is certainly more interesting than the other album by these guys that was on the main list. More experimental and, in my mind, pays off way more. Lyrics are a little strange, but not necessarily bad. Instrumentation, songwriting, and production are great. I wish there was more of a unified approach between the songs while still maintaining the range they’ve created. Just a tad all over the place. Just a bit. Otherwise, wonderful listen. 4/5

I love this album. So heartfelt and genuine. Lyrics, production, instrumentation, and arrangement are all fantastic. I wish there was a tad more range on the front end, but ultimately it all works out. Great album. Thanks for the submission. 4/5

They sound too much like Sparks later stuff. I don’t appreciate Sparks later stuff. I don’t disagree with anything going on with this album. To me, though, it doesn’t thrill, chill, or spill. It ain’t bad. It ain’t for me. Great production. 3/5

With Patti LaBelle and Allen Toussaint on this album, you can’t complain too much. I wish the songs had a little bit more of a tangible structure, something to hold onto rather than the flowy and effervescent style that occupies almost all of this project. Other than that pretentious note, I really enjoyed listening. Well done, folks. 4/5

Ethereal as shit, bro. I can get down. Not even really mad at the length. Just not quite enough range for it. 4/5

Given that Genesis had formed, released 14 out of their 15 albums, and had damn near disbanded by the time Bruce released his debut album, I feel secure in my claim that this project is derivative. While I understand that Phil makes several appearances on this record, it’s still no excuse for him to copy his own style and pass it off so blatantly as someone else’s. I knew that the was album was going to have that gimmicky production just by looking at the cover. This thing didn’t need to be this long and just drags. I will give it that the instrumentation is superb. 3/5

The production is just wonderful. The songwriting is original and unique. There is a lot of range instrumentally, but not so much emotionally. It’s all upbeat and rarely delves into anything slower. Otherwise, I had a real good time listening. 4/5

While I’m not of the opinion that every album needs a full orchestra to create intrigue, the production and instrumentation on this project are too sparse to inspire any excitement. There’s nothing wrong with it, just kind of boring. 3/5

At first I thought this was the same band that did “A Minha Menina”, but that’s Os Mutantes not Os Mundi. Then I went through roughly half the album believing that this was another Brazilian band with a similar band and thought, “I usually like Brazilian experimental psychedelic rock, why is this falling so flat and coming out boring?”. This is when I realized that they were fucking Germans. Ugh! And they’re blatantly ripping off the flute stylings of Hermeto Pascoal. There was an interesting bit at the start of “Agnus Dei” in the first ten seconds that almost sounded Arcade Fire-ish, but then shifted to boring again for the rest of the song. I’m not impressed. I would not write home. I was fully in my seat and did not once even start to approach the edge of it. Sorry, kids. It was good instrumentation and solid production. I guess it just ain’t my thang. 3/5

Apple Music is trying to tell me this album came out in 2018 for some reason, which is ridiculous, this sounds like something 50 years older. Oh, it's only 15 years older, that's a shame. This was a fun listen for the first song, but quickly got boring. I get. I appreciate the contribution because it is certainly unlike anything I've ever heard and definitely unlike anything else on this list, but it just ain't that good in my opinion. Songs seem unrealized and unfinished. The instrumentation is mostly fine, but occasionally sloppy. Seems like the inspiration that had for making the album was really all they had going for them. 3/5

Listen to this while reading Dashiell Hammett’s “The Maltese Falcon”. Big mood shit. Big vibes. Not too much going on, but it also is a very rich album. I enjoyed a lot. 4/5

This is more of a collection of great songs rather than a great album. “Candi” is kind of a stinker, but the rest is very enjoyable. I just wish something that was a more cohesive. This is all over the place, which can be fun, but it doesn’t work for an album. At least, not this time. Love Ween, though. Loved the collection of songs. There’s so much range and they’re really good at songwriting in that way. It’s really very impressive. 4/5

Yay! Love this. I want to interlock arms with a fair maiden and skip in opposite directions when I listen to this. Good production, instrumentation, vocals, songwriting, and lyrics. This isn’t going to shatter the world, but it is very fun. 4/5

Instrumentation is solid, vocals are solid, production is solid, songwriting isn’t the most innovative, but it ain’t offensive, and the lyrics are alright too. I just can’t figure out why I have no desire to listen to it. I find the whole thing bemusing. I’d keep it on if I found it on the radio. If no one else was in the car, that is. I think this isn’t that bad, but I really don’t want to listen to it. The duality of man. 3/5

My age is 23. Nobody likes me. 4/5

I liked this a lot. Made me think of something that would be in Scott Pilgrim vs. the World. Probably because they have a song in the movie. I wish they were more popular. They have a great energy and songwriting. The lyrics are solid, instrumentation matches, and the vocals are unique and recognizable. Not much to note against them, except that there could have been more range. Very nice stuff. Appreciate the submission. 4/5

Pink Floyd chose to work on “The Wall” rather than this. I can’t say they were wrong. Without the rest of the group, this feels a little less urgent. No driving force to push the narrative. The thread is lost and all that’s left is a middle aged man screaming into the void. Now, I will say, that isn’t NOT what they were going for, but it feels more like a schizophrenic you’d walk by without stopping, whereas “The Wall” was a schizo you’d stop and intently listen to. Anyway, my uncle Kevin plays the sax on some of these tracks so he did great. Roger could have done better, but there was too much on his plate. He needed to delegate better. I enjoyed myself. 4/5

This is boring, sometimes annoying, and always too long. I listened to two hours of this nonsense and can’t recall a single bit. Just nonsensical screaming. The production and instrumentation were good. Vocals and lyrics did not stand out. Songwriting seemed experimental with no real purpose. I lost to much time to this one. 2/5

Fitting for its time. I enjoyed the intro into the last song. That was the most exciting point on the album. The rest was nice and I enjoyed listening. Good songs, nothing incredible really, but very good stuff. 4/5

This is a great album. Strong and unwavering style throughout. Length just isn’t justified. It’s close, though. One of these songs, not sure which one, could have been cut. Iconic vocals, great production, great instrumentation, original songwriting. Very nice, Garbage. 4/5

This is one of the best rappers of all time operating at his creative peak. Paired with a producer who is able to seamlessly enhance his iconic style, you get one of the best hip-hop albums of all time. Lyrics, production, flow, songwriting. All perfection. There ain't a damn thing wrong with this album. Fantastic shit start to finish. Love this. 5/5

I understand that this may not be everyone’s cup of tea, but this is exactly what I needed right now. An absolutely refreshing breath of fresh air. Not an incredibly original outing for the mid nineties, but it’s firmly comfortable in its genre and undeniably fun. Love it. 4/5

This was fun. Some good range. Not a bad listen at all. Not the most exciting album, but it’s very nice. Well done, lads. 4/5

If I hadn’t listened to that new Alex Warren album, this would have been the worst thing I’ve heard all week. Over an hour just waiting for something at all to happen. Alas, nothing came. Nothing, against Canada, though. 2/5

This was interesting never heard such western sounding music in a language other than english. No clue what he was talking about, but the vibes were there. Nice addition. 4/5

After the success of her first album, I thought there was no way she could top it, yet she released something even better. I was amazed when it came out. She is one of the best singer-songwriters of her age. There may be a bit too many ballads on here than necessary. Why not swap “making the bed” and “the grudge” with the bonus tracks like “obsessed” or “so american”? Would have made it feel a tad more urgent and memorable. Otherwise, I love every song on this. Great stuff and can’t wait for what she does next. 4/5

Is this too long? Maybe. It doesn’t feel that way, though. I loved every minute of this and it was my first time listening. There’s a perfect blending of genres, and fantastic experimentation with both production and instrumentation. The vocals are angelic and both serve as another instrument while also providing the final bit of emotion required to get these songs to where Cindy wants them to be. I couldn’t find this on the usual go to apps for listening so I heard it from a guy on youtube that posted the whole album. I’m not sure if a lot of the songs are intentionally meant to end abruptly of if that’s a product of listening in the wrong place. Great album either way. Glad to have heard it. Great inclusion. 4/5

I thought these girls were pretty sick to be playing music this hard. Then I looked up the first track live because I wanted to see if the drums still sounded like a machine gun if played out of the studio and guess what I found out! They don’t play the instruments. How disappointing. Furthermore the drums and guitar are all programmed. And on top of all of that, they don’t even write the music! So why am I listening? What am I listening to? Other people sing someone else’s words. It’s like Elvis, that talentless bastard. I don’t know. Maybe it’s just me, but I can’t enjoy this. As for the actual album, the instrumentation is obviously spot on (because it’s a fucking computer) and the vocals are alright. They sort of get drowned out in the production which is way over the top. I understand why people like this. It just feels like a cardboard cutout of a band rather than something tangible. 2/5

Remind me of Dr. John’s voice, Tom Waits’ style, and Aesop Rock’s enunciation. I love when there’s an album on this list that defies genre. What the hell category would you put this in? I have a difficult time telling if I’m enjoying this or not. I’m glad I listened, but I don’t think I’d want to listen again unless someone else has it on. Very unique, though. 3/5

This was a phun time. Great playing. Lots of energy complemented by the crisp and lively production. Good background music, but not very interesting if listening to it is the task at hand. 3/5

Split some of these longer songs in two. They don’t sound like they go together. There was an obsession with making long songs in this genre at this time. It didn’t need to happen. Was there a point to it? Why make the songs long just to make them long? I need serious help. Please help me. Am I worth saving? Are any of us? Why do we keep going? I liked this album a little. Just a little boring, nothing much going on. Respect the vision, though. 3/5

This was the first album of theirs I’ve listened to. I suspect, though, that maybe their earlier stuff leaned a little bit more heavily on the indie rather than on the pop. The vocals were messy in that low budget indie sense, which isn’t a bad thing, but the instrumentation was a little more crisp and production even more so. All of that results in an album with varying levels of finish. Made the whole thing feel off kilter. I did enjoy it, though. It wasn’t unlistenable by any means. Lyrics were thoughtful for the most part. A few odd choices here and there. Mostly alright. This is a fine album, not great, not bad, just fine. 3/5

This was nice, but kind of boring and ultimately unexciting. This guy’s got style for sure and he appears to be unapologetically himself, but himself does not really interest me that much, I guess. The lyrics are inoffensive and could inspire some emotion. Some people probably love this a lot. To me, it’s just another fine album that came out in the late 2010s. 3/5

This was very enjoyable. I wish there were more lyrics. Everything was really good. It occasionally piqued my interest in a way that was more than just recognizing that there’s music playing. Felt original at times, but mundane at others. Never got close to being unlistenable or even annoying. Quite a delight actually. 4/5

This is fun. I wish I knew what they were singing about, but I enjoyed it all nevertheless. Well done. 4/5

This is one of them slow Friday nights when cuddle up close next to your sweetheart and make whoopee, ain’t it? Well, it sure sounds lovely to me, y’all! 4/5

The vocals struck me more as just another instrument rather than actually working to convey the words of the lyrics. The applied meaning and communicated a general emotion, but it was hard to understand what exactly they were saying. This may have been an intentional production decision. For me, it made it a little more difficult to discern songs from one another. Otherwise, I had a great time. Great instrumentation and song writing. Not really any other complaints. 4/5

So fucking groovy, so fucking groovy, so fucking groovy. Not much range, but this is so fun and so fucking groovy. 4/5

What a beautiful album. So personal and heartfelt. Except for the title track, he doesn’t venture too far from his comfort zone on this album as much as he will later. Although, I suppose, that may be a theme of the album. I don’t have much to complain about. This is a really powerful album that I’m lucky to have heard. Great stuff, Bon. 4/5

I enjoyed this. Very unique, Tally Hall is the closest thing to it and these guys came first. Love the songwriting, lyrics were good, vocals and instrumentation were fine, production was great. It’s silly, but they take their silliness very seriously. Good for them. 4/5

Not bad, but not for me. I enjoyed a couple parts, although, on the whole, was left feeling underwhelmed. Didn’t excite me. Didn’t get me going. Didn’t get me there. I hope you like it more than I did. 3/5

The production is impeccable and original. The vocals, though not technically incredible, are iconic. The songwriting doesn't wow me at all and neither do the lyrics. I found the whole thing to be annoying and repetitively unnecessary. Not a big phan of SOPHIE's work so maybe it's a me thing. I find this to be pretentious. I wonder sometimes if they'd be as popular if they hadn't died young. 3/5

No lyrics :( Could have been so great if they were screaming unintelligibly. Instead it’s over an hour of really good songwriting, production, and instrumentation. 4/5

While the lyrics are almost intentionally unintelligible, they’re still solid. The vocals are essentially used as an another instrument and in that sense they accomplish the task. Instrumentation is rock solid. Production is great. No big complaints. They achieved what they set out to I believe. 4/5

He’s got a voice that would fit right in with the post punk era, though it isn’t annoying like most of those other twats. The production of Mr. Parsons is fabulous and, combined with the vocals, makes for a unique sound. Lyrically, it tells its story with both effectiveness and beauty. Not always an easy combo to manage. Songwriting and instrumentation are equally brilliant. I’d never heard of this or Mr. Stewart so I’m pleased with the submission. Great stuff. Fantastic outro. 4/5

Very nineties. Had a good amount of range and was interesting to a point. I enjoyed listening and think I’d like to do so again. Great work. 4/5

The only song on here that I didn’t find annoying was “Jerry Was a Race Car Driver” and that’s becase it was on the radio when I was growing up. Nostalgia and all that. Annoying in the sense where it’s unpleasant, but not unlistenable. Sort of like your best friend trying to get on your nerves. I’ll give it that it has personality. No doubt about that. These guys are unique and original and there ain’t no one like them. There’s a good amount of range. The songwriting is intriguing. Vocally, instrumentally, and productionally very adequate and nicely donely. I just have no desire to really listen to them. Good work, though. 3/5

The kid’s not doing anything special here. All these songs are by the book and fail to provoke any excitement. The soul of the genre is blatantly missing. His voice a little unique, but not great to listen to for forty minutes. The last song was an active problem. Who the fuck was that for. This is a jam session of a blues-rocker wannabe. I apologize for my negativity, but I love blues and I love rock, and Johnny misses the mark for me. It wasn’t a chore to get through and he is, undoubtedly an excellent guitarist. I’ll give him that much. 2/5

Bigger piece of dog shit than I remember it being. Had to delete it from my library. Was just cringe as fuck from start to finish. The vocals were way over produced (don’t get me started on what they did to poor Elton), the lyrics were nonsensical, the instrumentation felt like it was just trying way too damn hard. Did not like, apologies. 2/5

I respect this, but I have a lot of trouble appreciating it. Certainly a unique sound. Don’t know anything quite like it. He’s good at what he’s doing and he’s accomplished what he set out to. The songs feel original. The vocals certainly are recognizable, but that doesn’t make it good or fun to listen to. That’s sort of the way I feel about the whole album. Yeah, it’s different, but it’s rarely or never fun. There’s something here, though and I don’t hate it. Didn’t care for the length. Won’t listen again, I think. 3/5

This is nice songwriting. Vocals, instrumentation, and production are all fine. That’s not really where their focus was, though. Lyrics and chord progressions and things of that nature are where this thing really shines. I enjoyed it, but it isn’t the most exciting record. Not quite by the book, but they aren’t doing anything very experimental. Just good quality, inoffensive songs. 4/5

I think this has good production and lots of potential, but it was too repetitive. They could have done a lot more. Sounded good, but could get annoying. 3/5

I really enjoyed this. Surprised to have never heard of them. Instrumentation, production, and vocals are all good. Songwriting is lovely. Lyrics are great. Doesn’t get boring. Having two singers helps with that. I love their style and will enjoy listening again. 4/5

I find this guy’s voice annoying. More the way he sings than his actual voice. The production complements it well, but it’s too saccharine for me. I feel as if they are under the impression that their lyrics are a lot cooler than they actually are. The concept is nice. I don’t enjoy it. 3/5

He sounds just like Engelbert Humperdinck! So dreamy <3 <3 <3!!! Long and boring. I bet this sounds just like how they wanted it to. I’m not that interested, though. Good for them, I guess. 3/5

The production is good and the lyrics are thoughtful. There’s a good bit of range. I do respect all of this, but I don’t enjoy it. There’s just something about this that’s a touch too pretentious for me. Maybe it just doesn’t feel like they’re having enough fun. I don’t know. 3/5

Sick as fuck. Would have been cool of them to develop some of these songs a little more. The longest song on here is less than three minutes. The whole thing is just over a half an hour and there’s still a great deal of range on here without stepping a foot outside their comfort zone. What a great album. Fun from start to finish. Well done, boyos. 4/5

This is the perfect Christmas album. You can put this on at the party and have no trouble with the music for thirty five minutes. If no one pays attention, it can be easily tuned out. If they do pay attention, you can comment on how lovely it all sounds. The immaculate production, the genius of how just a trio can make all those delightful noises, how it’s experimental, yet still an undeniable classic. This checks all the boxes for me. If it weren’t a Christmas album it’d get a ten out of ten. 4/5

A tad long and could be just a bit of noise at some points, but always enjoyable and never annoying. Very pleasant listen. They’re a good band. I enjoyed it. 4/5

I love this a lot. Refreshing production. The vocals feel untouched. Just raw and full of emotion. Instrumentation feels the same way. Lyrics too. Songwriting doesn’t contain the most range on this eight track album, but it’s overall different enough from most other things that it never gets boring for a second. At forty five minutes, this is a nice dive into a relatively unknown band and a great album. I hope you enjoy this as much as I do. 4/5

This was a pleasant outing. My only wish is that they had a bit more range. The production was excellent, the instrumentation was experimental without going too far, vocals provided enough energy to make the lyrics convincing. I had a great time and I hope you do too. 4/5

Chock full of pop culture references, they’re so cool. I’d have to be a complete moron to not like this. Unga bunga boonga. 2/5

I didn’t mind this. I’d listen if it came on the radio, but probably won’t seek it out. Probably. This is a good album, but the vocals are just a tiny bit too inarticulate for my taste. Just past the threshold of noise for noise’s sake. 3/5

Not as good as their previous album, but not as bad as their next. It’s just a shame how boring it is given what we know they can do. I appreciate they’re trying a new direction, but it feels like they don’t know what the goal is. Again, that’s more true on their next album, but it’s evident here as well. Genuinely hope they can pull out something exciting next time. 3/5

Something about the way Fred sings just makes me want to drive into oncoming traffic. I can stand the others, I suppose, but not him. I don’t care for the lyrics. The instrumentation is fantastic and I enjoyed that as well as the production, but I can’t get past the vocals. If I could, I would say this is a very lovely album with little to no faults. As it is, though, I feel very middle of the road. 3/5

Some people hate this, claiming that it’s completely and entirely unserious and just totally silly. Other people enjoy this immensely, saying that it’s completely and entirely unserious and just totally silly. I say they’re both right. 3/5

I can’t stand the sound of this guys voice. It’s like he’s trying to make his voice sound deeper than it actually is. That may really be how he sounds, but it ain’t something I’m interested in hearing. Didn’t really care for the lyrics either. Nor the production and instrumentation. If it wasn’t for his voice, which is impossible to ignore, I would say this was a snooze fest. Feel like I’m being a little harsh. Wish I had something better to say about it. 2/5

This is fun. I like this. Late to the game and songs can start to blend, as there’s little range, but that wasn’t what they were going for. They seemed to just want to have a grand ol’ time. I think they achieved that. 4/5

The songs here are really good and can easily be enjoyed. I'll say that Freddie thinks he's cooler than he really is. I could have done without the skits and interlude bits. Those weren't fun. The actual music was fun. Freddie has a good voice and flow. His beats and production and experimental and interesting, but never show him up. I don't know that this album needed to be an hour long, but it wasn't a pain to get through, at least, not for me. This is a good listen. Freddie continues to be too self involved, but not enough to where his albums suffer. 4/5

This was a lot better than I was expecting. "I Don't Know" starts the album off with high energy and immediately sets Ozzy apart from his days with his former band. "Crazy Train" is obviously a classic. It's one of the reasons I learned to play guitar. "Goodbye Romance" follows and is one of the best songs I've ever heard from Ozzy. It's a surprisingly heartfelt ballad. Definitely top three on this album. After that you get instrumental guitar interlude, "Dee". This wasn't a necessary inclusion. It doesn't hurt the record, but they could have found a more creative way to include it. "Suicide Solution" had a promising start, but didn't quite go as far as it could have. It's still a great song, but it had a lot more potential. Another classic with "Mr. Crowley". "No Bone Movies" is kind of a dud. "Revelation (Mother Earth)" is a little clunky, but Randy Rhoads delivers a fantastic solo at the end which almost makes the six minute wait worth it. Closing out the album is "Steal Away (The Night)". There are more interesting songs on this album, but there are also worse ones. I think he could have chosen a better song to end with, but it's alright. Call to action, maybe? All in all, I'd say this definitely worth listening to. Essential listening for any metal head and an absolute must for anyone who calls themselves a fan of the Prince of Darkness. Rest in peace, Ozzy. 4/5

This is more a thing you’d want to experience in a museum type setting rather than your daily music listening life. It’s a great work of art and it’ s good music, but the whole album is too self indulgent. The first three of fifteen minutes on the closing track sound like they’re warming up. Also, too long. Only five songs and it’s almost an hour. It ain’t bad whatsoever, but certainly an acquired taste. 3/5

Feels fresh, but also like something that’s already out there. As in, this style has existed for a while now, but he’s doing something interesting with it to keep it engaging. I enjoyed listening when it came out and I enjoyed listening today. Big energy, which keeps things fun. Great lyrics and songwriting. The vocals aren’t the best, but they’re unique, which counts for more in my book. Wasn’t the most interesting album of the year, but it’s very solid. 4/5

I’ve never heard of them, but that doesn’t surprise me. They’re unique, but not engaging. Not for me at least. They never annoyed me, though I can see how this could bother someone. There isn’t anything wrong with this except that it’s just really not that interesting. Not for me, I suppose. 3/5

This is a lovely album. Doesn’t overstay it’s welcome. Sonically interesting. Vocals, instrumentation, lyrics and production are all great. I look forward to listening again. 4/5

This is fine. Not very interesting in its lyrics or songwriting. Neither the vocals nor instrumentation stand out. That said, the album isn’t offensive either. I didn’t find it hard to get through. The production was pretty good. Just a big ‘meh’ of an album. 3/5

This is such an incredible album. A must listen of the genre. How many rap operas are there. How many are this good. Lyrically brilliant, production is phenomenal, story line entertaining. This could use a little more range, but I don’t really have any big complaints. Wasn’t a big phan of some of the skits, but I really enjoyed the whole album. It’s great. Hope you enjoy it. 4/5

I enjoyed this a surprising bit. Great songwriting and structure. This was a thoughtfully crafted album. There are a lot of one liners on this that prevent you from tuning out. A very engaging album and I respect them for that. 4/5

Fuckin’ love this shit. Sad trump all day, baby. I like his singing album better because of his weird thin voice and I also just enjoy these songs with their lyrics. He’s not really doing anything crazy here, he’s just doing it really well with a lot of feeling. I like this album a lot. 4/5

What do we call this? Shoegaze? This is good shoegaze. Great stuff. Better than those bloody Valentines, I’ll tell you that much. The album can lack range at times, but it’s always effective at achieving the desired style. Great songwriting, lyrics, and production. I enjoyed all of these songs. 4/5

This doesn’t make the biggest impression, but it’s an easy listen and I enjoyed it. Some good bits of experimentation. Production, vocals, and instrumentation were all tight. No big complaints. 3/5

I knew a guy who worked with John before he was famous. One day my friend brings his girlfriend to work and at some point in the day John grabs her ass. On a personal level, I think John Mayer is an asshole and I really don’t like it when one of the numerous lists I proscribe to recommends him to me. On a talent level. This guy has a plastic, paint by numbers voice. Paired with his good guitar skills and his good looks, you get a guy who is overconfident in his abilities to deliver good songwriting and lyrics. The Shawn Mendes of the 2000s for those of you still reading that weren’t alive when the towers fell. I don’t get anything interesting from him. I don’t feel anything, maybe annoyance? He just is not able to pull off the swagger he’s attempting. Sorry to the submitter for this overly hateful review. I’m glad you can enjoy this dude. 2/5

I really enjoy this album. They’re a fun and refreshing group. Love their style and songwriting. The lyrics are good, the production is good, the whole thing is good. Doesn’t quite get to the point of blowing me away, but it’s close. 4/5

Not the worst electronica album I’ve ever heard, but I still think the genre is essentially background music. This was pretty good background music, but still not that interesting. 3/5

Honestly underwhelming compared to the other albums I’ve heard from them along with the hype around this one. It’s fairly straight forward with no big parts. I disliked how the last song ended. Why so abrupt? Am I missing something? Possibly. Instrumentation, vocals, and production are all good. Songwriting and lyrics could have been a little more interesting, but there was nothing wrong there. A tad disappointed in the lizard and the wizard. 3/5

They aren’t talentless, but they also aren’t for me. I’m glad there are people who enjoy their style. 3/5

I enjoyed this. It was fun. Sorta Bangles. Sorta Go-Go’s. She allegedly wrote, produced, and executed this album at the sixteen. Very impressive. It sometimes feels like an album written by a sixteen year old, but never too much. Just the right amount of youthful fun and easy energy exuding from this. I’m a phan. 4/5

Electronica music is and has always been boring background music to me. This had its moments, but I ultimately forget every bit of it a minute after is passes. I’ll give it that it’s one of the better albums I’ve ever heard of the genre. 3/5

Why this wasn’t the Herb Alpert album chosen for the original list is beyond me. So many of his best songs are on this. Not all of the tracks are bops, but enough to where I’d call this a must listen. “Ladyfingers” at least should be a song everyone is familiar with. It can be beautiful, sad, uplifting, sometimes all in the same song. This is a really great album. 4/5

Bullocks. Not a phan. Too long, too boring, too annoying. It was somehow both too much and too little at the same time. Little to like, for me. 2/5

These chaps make great music, but that’s no surprise. Course they fucking do. Great punk music. Good vibes throughout. Was a little nervous listening to the first song, but I recognized the second track and was immediately alleviated of my worries. The lyrics, vocals, instrumentation, and production are all punk as hell and Crass is just such an enjoyable band to listen to. 4/5

I’m not necessarily against this, but I found it hard to enjoy. Admittedly, I don’t speak the language, so maybe there was something in the lyrics that would have made this a better listen. However, my main displeasure derives from the production, vocals, and songwriting. Too formulaic. Couldn’t get into it. I’d enjoy this more if I was coked up at a rave somewhere in central to western Europe. 2/5

This wasn't bad. Not particularly exciting, but not bad. Little bit of country, little bit of island. He's certainly got a style. He's original. Unique voice. Songwriting could be interesting at times. Lyrics never really were. Not quite to the point of offensive, but he could get some other talking points. All 1n all, not too shabby, Jimmy. 3/5

This album became overwhelming boring and annoying by the end of “Jizzlobber” and then they had the audacity to close this hour long album with a three minute instrumental. Absolutely mental. I enjoyed it up until “Jizzlobber”. I’d say that’s pretty accurate. 3/5

Ultimately kind of boring. Nothing much going on. Sounded a little like Tom Waits for a second, but that just made me want to turn this off and listen to actual Tom Waits. Not bad. Inoffensive. Just meh. 3/5

I saw a high school production of the musical version a couple months ago. Not sure if it’s Mitchell’s dream fully realized, but it enhanced my experience of the music. Really great songwriting. The mixing of the genres, the chord changes, the ability to write songs for different vocal styles. Fantastic. The production and instrumentation were both good. Nothing blowing me away, but it was fine. Same with the vocals, though they could at times be annoying. Nothing they did wrong. Just don’t like this much of these voices at certain points. Lyrics are great. Story is great. Loved that tale as a kid. Liked to think about what it meant that he went all that way just to look back. Lack of faith that she’d follow? Lack of faith in Hades? Did he change his mind about wanting her? Did he fucking forget? I’ll always wonder. Some pretty classic tracks on here. May need to check out more of her stuff. 4/5

This album is beautiful. Start to finish, it’s feels effortlessly magnificent. A lot going on, but you’re able to just fall into it and stay there for the whole album. Really great stuff. 4/5

An enjoyable outing. Their latest album is better, so it’s nice that they are getting better with age. Production was good. Vocals were fine. They got the job done, but weren’t very unique or interesting. Songwriting was very of its time. Nice album, but not very out there. 4/5

This is a fine collection of ballads. A little short, but that’s ok. The songwriting is pretty good, but not great. Not a pain to listen to. Taking a point off for the heaven song. That sucked. Mostly pretty good, though. 3/5

The feels original and fresh, in my opinion. Punky, sure, but not a style I’ve heard before. Her vocals are unique, not a great singer, but doesn’t need to be for what she’s trying to do. She never attempts to do anything too far outside her range. A good bit of experimentation. Instrumentation is solid. Lyrics are nonsensical in the best way. I enjoyed this a lot. 4/5

Good amount of range. Very enjoyable. Not quite exciting enough to get it to five stars, but darn close. Like them a lot. 4/5

If this was the backing track to a tutorial on how to set up a website or something, I might stop and think, “Wow, this is a pretty good backing track for a tutorial video”, but then again, I may not even notice. This isn’t bad, just not exciting. Pleasant to listen to while I got ready in the morning, though. 3/5

This album is just a smidge longer than it needs to be. I really enjoyed it, though. Really great experimental instrumentation. His voice is genuinely good and has a lot of range. They have a unique sound and I found it very easy to maintain my interest. I’d just cut one or two songs. Very nice stuff. Glad to have listened. 4/5

Good for dawdling around the house. Not much else. I don’t mind it, but it’s not great. Appreciate the listen, although I don’t believe I’ll indulge again. 3/5

Currently reading Casino Royale and this album makes me wish Portishead had written a Bond song. Every song has tension and drama. Well written stuff, if only it lacks a little range. Vocals and instrumentation are iconic and instantly recognizable. I enjoyed this a lot. 4/5

This is fine. Couldn’t quite get into it because of the singer sounded too much like the Vampire Weekend singer, but none of the rest of it was close enough, so the whole thing just ended up feeling off for me. Nothing too bad, just not for me. 3/5

Unnecessarily long. There were seven songs on here that were over five minutes. Most of them didn't need that much time. This leads to my overall complaint with the album, which is that it's too self indulgent. Could have used some editing and some genuine thinking of whether or not choices were beneficial to the whole project. Otherwise, the vocals, production, instrumentation, lyrics, and songwriting were fairly good. I didn't mind any of it except when it seemed to drone. There was some range, but it could get boring. Again, cut the run time and you'll solve some problems. Not sure if it's one of the greatest of all times, but I'm glad to have listened. 4/5

This is a really great album. Overshadowed only by the one that preceded it. The songwriting, lyrics, instrumentation, and vocals are all fantastic. Lot of good hits on here. Not much to complain about. The energy we know they have isn’t as large, but it’s still there. The album is possibly more cohesive than Ten, but maybe that’s negated by the messier lyrics. Still great, just not sure it’s worth a five out of five. Real close, though. 4/5

It's got great production and original songwriting. I'm never disappointed with Porter Robinson. He feels fresh. This just isn't my cup of tea. Not really a tea phan, though. If I was, this would absolutely fuck. It would fuck hard. For now, I can appreciate it without wanting to listen again. 4/5

They played music every so often on this record. The other time is spent being pretentious. This album isn’t enjoyable unless you’re on the right mix of drugs. On the plus side, it has a perspective that doesn’t stray. A solid theme and style throughout the whole thing. It feels original and it’s certainly unique. I’m glad someone can enjoy this, but I will not be listening again if I can help it. 2/5

A good selection of songs, but it’s live. Aside from the expected poor recording quality, there’s the shitty vocals from Iggy. His ego was usually tempered during studio recordings, but came through just enough to be charismatic. His words are slurred on this recording more than they should. He’s not performing at his best. The rest of the band seems to be performing alright, but you can’t quite tell over the grainy recording and feedback from the amps. Interesting as a historical document in both bootlegging and punk, this recording is worth a listen for any historian of the genre, but I won’t be subjecting myself to this again, I hope. 2/5

A nice album to let wash over the day when you’ve got no clue what they’re saying. It was a pleasant listen this morning. Good production. Not too much to catch my attention, but I enjoyed listening. 4/5

An interesting concept that isn’t long enough to get boring, but nearly gets there. Production was phantastic. I’ll listen to some of these songs again, but not thole album. 3/5

The instrumentation here is so fucking good. It goes so hard. Love it. I wish the singer would turn down the screamo just a wee bit. That would make this album so much better, in my opinion. The inability to articulate a singer’s words because their chosen vocal style musses them has got to be one of my biggest pet peeves. Also the term pet peeve, don’t like that term. Idioms in general. Never really got them. Apple of my eye, what the fuck are you talking about? What the fuck is the singer talking about? Couldn’t tell ya because I couldn’t understand them. Otherwise, this is just wonderful. 4/5

Not bad, I respect this even though it’s not for me. I like how weird it is. I wish there was some more excitement, but it’s a fine album. 3/5

Conor’s voice maybe isn’t to the level of being iconic, but it is certainly unique and, I would argue, pleasantly so. The instrumentation and production are intentionally fairly sparse, but I could have used just a bit more to keep me from tuning out. The whole album is lyrically wonderful. “First Day of My Life” is a must listen, but the last track is also quite good. “Another Travelin’ Song” is probably the ‘worst’ song on this record, but I stilled really enjoyed it. Not a lot to dislike with this. It’s just really solid. 4/5

These boys are dead? Nope, just the singer at the time of this writing. I like early punk records a lot. Nothing in the genre ever feels as raw. Their style was instrumental in shaping the way future punk bands would operate. This album is easily the bands best (there aren't many to choose from). Vocals, production, songwriting, arrangement, instrumentation, and lyrics are all on the same level and in the same gritty feeling. None of those elements are even close to being technically incredible, but the fact that they're cohesive puts this album above a lot of others. Additionally, it simply is downright enjoyable and a fun time. This is great. Will listen again. 4/5

I know exactly who these people are and can only imagine just how insufferably annoying they must be when they pretentiously insist upon themselves. They need their instruments taken away from them. They’ve lost musician privileges. “Gonna go home and dress my cat up like Batman ‘cause he’s awesome like me”. This is just cringe after cringe and would be, honestly, really great if they leaned into it and were just a little self aware. Unfortunately, they seem like they think they’re cool. You don’t have to be cool, but if y’ain’t, you need to know. Instrumentation is good, but boring. Production isn’t boring, but it’s not great. I wish I could enjoy this, but I’m not a fourteen year old D&D player who earnestly believes they aren’t like other kids, who is different and destined for greatness. I’m not. I’m destined for debt and a poor sleep schedule. At least I’m not destined to ever listen to this again. 2/5

Such interesting choices all across this thing. Every aspect of it is completely unique. Zappa's style is iconic. This is not the easiest album to listen to and I'm not quite sure what combination of drugs a certain audience might need to be on to enjoy it, but I believe that it is quality music. This album is one of the few instances where he doesn't go too far in the direction of weird to alienate his audience. Very strange, yes, but he takes us along for the ride instead of leaving us behind. Not my favorite album of his, but probably top five. 4/5

Great start, second half sort of drags, but the title track is fantastic. A slow burn, but that finale! Really just the last chord. Shame they chose to close on a shitty religious song. I really like Dolly. One of the all time greatest, in my opinion. This ain’t her best album, maybe not even her top ten, but it’s still really solid. She’s just that great. She brings her unique perspective, as always, but since it’s all covers, there ain’t too much to be done. I enjoyed it, though. I’d listen to Dolly any day. 4/5

It’s a Daft Punk soundtrack, which is better than most soundtracks because Daft Punk, but it’s too much soundtrack and not enough Daft Punk. 3/5

The Fame by Lady Gaga. I’ve been trying to write this review all day. I keep getting interrupted and the review disappears because I forget to save it. If you’re reading this, I’ve finally succeeded. Anyways, pretty good for a debut album. Not the best, but it’s alright. There are a few songs on here that are really good and it just so happens that they are all in that classic Gaga style. They feel cohesive. Like they belong on an album together. The rest feel as though she is flailing through the air, grasping at genres and styles she may be able to pull off on her way down. That’s just me, though. The other songs weren’t bad, but they weren’t as fully realized as the aforementioned tracks. Adding some points just for the sheer force this album had when it came out. I don’t mind listening, but don’t put her on that often. It’s a high three for me. 4/5

I enjoy listening to Zach Bryan, but not so much a whole album. His albums are certainly cohesive and have a solid through line, but my god, get some range. Do something different. All the songs are good, but he’ll never be great unless he can hit a different emotion than melancholy. Still great stuff. One of the only poets I don’t mind. 4/5

Great production and songwriting. There’s a lot going on here, so I’ll have to listen again to truly appreciate it, but it’s both fun to listen to and an album that has substance. Very well done, guys. 4/5

A little ska in here isn’t there, not bad. I do enjoy this style of ‘90s pop-rock. Vocals are iconic, production and instrumentation are both solid, and the songwriting is unique and a little refreshing, honestly. Not sure this needed to be an hour long, but I enjoyed it. 4/5

Compilation albums are cheating. Even more so, in my opinion, than live albums. Both usually receive a one or two star rating from me. The maker of the album gets to pick and choose what songs do and don’t make it on the album, which is not unlike the making of other albums, admittedly, but in cases of live and compilation albums, they have knowledge of what their best and most popular songs are. Of course the album is going to be full of bops. These songs are fine and I probably would have given any of his albums a four star review as I enjoyed every song individually. Put all together, this 44 track 3.5+ hour album destroys any chance I had at enjoying the artist. These guys don’t have the range to sustain that length. I’d be willing to bet they don’t perform this long live. They were set up for failure and I can’t tell if the submitter was making a joke, getting revenge, or genuinely believed that this was an album worthy of the list. As if a compilation album could ever compare to the likes of Kid Rock, Throbbing Gristle, or Joh fucking Zorn. I’ll let you know, I plan on listening to this whole album. I’m currently four songs in. I believe that I’ll be able to accomplish this feat. If, however, I am unable. You will find a “DNF” tacked on to the end of this review. Good luck to anyone out there that is attempting the same. May luck be on your side. Finished. It’s not bad, it just doesn’t count. 1/5

I enjoy this. It’s a little late to be doing punk rock this way, but it’s still solid. These guys are just having a fun time and that energy comes through. I don’t have any big complaints. There could be more range, but I wasn’t expecting there to be a whole lot. Looking forward to jamming to this again. 4/5

I’ve listened to some of the Marcus King stuff. Liked it all, but I like him least in an album format. He’s not quite built for it. His individual songs are fine, but they blend together. No range. Also, a lot of them are needlessly long. Over seven minutes feels like an epic, where you have a lot of time to do some cool and experimental stuff, under five is a regular length for a song. He’s living in the in between where he isn’t really experimenting and his songs run on just a tad long. He just needs to try a different approach or something and he’ll be golden. That’s just my thoughts. I enjoyed listening, I like his style. It’s nice. 4/5

I imagine they’re trying to achieve some combination of the Grateful Dead and the Allman Brothers. They simply don’t have the chops to pull it off, though. Instrumentation is pretty basic all around. Vocals match. The lyrics hold nothing interesting and the songwriting is by the book. On top of all of that, this is a live album. Obviously, the production is ass, but allegedly this album should be full of their most popular songs, but is an hour and fifteen minutes of paint by number jam rock. A little harsh, hope the person who submitted this album isn’t upset. It’s fine to listen to in the background or something, but the second I really pay attention I start getting annoyed or confused at why they chose to make the decisions they’re making. The fucking pink panther theme?!? At the end of a track, you hear the crowd cheer and wonder, “Are they just on their parent’s front lawn playing to the neighbor?”. Who buys tickets to see a band with this name? 1/5

Turnstile is one of, if not, the best hard rock bands currently making music. They’re talented musicians with a versatile vocalist. The songwriting is original and feels fresh. They have a unique style that sets them apart. I don’t enjoy the production on their records as much as I’m sure others do, but it’s not bad. All of it is just great, really. Good pick. 4/5

A nice clean album with a little excitement here and there, but mostly straightforward songs. The production is excellent, executed to perfection. I just wish there was some more experimentation. The whole thing is just a little too by the book for what I know Tom can do. Obviously the vocals are unique and iconic. The instrumentation is perfect too. The lyrics are wonderful and beautiful. There isn't a thing wrong with it, just one of his more basic records. Great pick, I thoroughly enjoyed listening again. 4/5

This was fun to listen to on my morning walk, but it definitely fades into the background. Nothing really wrong with it, just feels like it's missing an element. Good stuff, though. Not a bad pick. 3/5

I loved the production on this project, but couldn't stand the vocals starting about halfway through. They aren't annoying after one or two songs, but a whole album will start to get on my nerves. Maybe just the mood I'm in. Other than that, a very solid album and no other complaints. 4/5

This was really fun stuff, great addition. Not the most exciting record ever put out, but I don’t think there’s anything wrong with it. Very very cool. 4/5

A pleasant album. One that I'm sure gets better with a few re-listens. I wish there was more range, but it doesn't get boring. That second to last song didn't need to be 9+ minutes long, though. Unnecessary. I'll listen to a couple of these again. Fair pick. 4/5

This was stunning and beautiful. Uplifting and crushing all on the same album. Most times when I get an album with lyrics in a foreign language, the tracks start to blend together. It’s just one more thing gone that I can’t use to differentiate between songs. This album somehow transcends that issue. Creating each song as a unique piece, but still managing to have the album feel completely cohesive. It’s a wonderful feat and I applaud Mr. Keïta. Stellar pick. 4/5

I enjoyed this, but it would have been a more enjoyable album if they had split some of these longer songs into two or even three. Alternatively, some of the instrumental bits go on too long without any need. It just could have used some more editing, but it also has a raw and energetic feeling that more editing may have neutralized. The lyrics, songwriting, and vocals all help give the tracks an undeniable sense of urgency. I’m gonna recommend this to a few people and hopefully they’ll enjoy it as much as I did. 4/5

I didn’t enjoy it really. Apologies. This felt scattered and all over the place in a messy and disorganized way. Feels like they realized they could make an album, but failed to pause and think what they should do with that information. The album doesn’t lack talent, it lacks direction, but that can be just as bad. Not that the whole thing isn’t cohesive, more it feels like a vomiting of music. Maybe I just don’t have the energy for it today. Dubstep always makes me feel physically ill. 2/5

They should leave the blues alone if they aren’t going to do anything interesting. The psychedelic tracks are more where this album thrives, but there’s a reason these guys aren’t as famous as, say, The Byrds or even The Flying Burrito Brothers. It’s not the most interesting album, but most of the songs are fun, even if they aren’t very substantial. 3/5

A bit of the same stuff over and over again, but none of it was bad. A bit late for the genre, too, but they ain’t hurting anyone. Nice vocals, lyrics, songwriting, production, arrangement. It’s all good. Nothing to write home about. Won’t be buying the vinyl, but I may listen to a couple songs again. 3/5

I like this group. They got a certain something that feels fresh. Feels good. An album that I imagine grows on you with each re-listen. I will need to spin this again. A quality listen. Great pick. 4/5

Yeah, it’s good, I guess, but it’s also hella boring. Boring as fuck. The vocals aren’t supposed to lull me into a deep sleep. I don’t think? The production is spectacular, the instrumentation is fairly decent as well. I have no big complaints except that it’s just a snooze-fest. The formula was so close to perfection, but they botched it. Whoops, that happens sometimes. Oh well, a lot of people really like it, so they got that going for them. 3/5

This is a little better than the other Baby Metal album on this list only because it features people who are writing their own stuff. I still have a problem with them. You can see my other review to see why. I’m not going to write it all again. Apologies. To their credit, though, they have a lot of energy, which I love. I’m glad you can enjoy them, whoever picked them. 2/5

Not the greatest R&B album, but it has its moments. The production is decent and so are the vocals. They both could have had a bit more personality, but none of it was bad. I’ll take it, I suppose. 3/5

2 is a good, refreshing album. Passes quickly without causing any fuss. I like all the songs. They all fit together on the same album. It’s a sort of simple while feeling complex, which I like. I wish there was a little more range. It stays in the same place mostly throughout the album, but I enjoy it a lot. Good work, Mac. 4/5

This album fucks hard. Surprised I’ve never heard of them. Not my genre, sure, but they’re still really good. Good pick. 4/5

This is a fine album, but it’s just so forgettable. I recall thinking a coworker of mine might enjoy it. The production I remember being solid, but otherwise could not tell you anything else about it. I listened to this whole album today and can’t remember a lick of it. That’s just disappointing, honestly. 3/5

For me, as a rule of thumb, when you see an album with more than ten songs and a runtime with less than forty minutes, you’re gonna get some real quick songs without much range. That is what we’ve got here. All great stuff. Bad Religion rocks. They take punk and bring it into the nineties. Their stuff isn’t nearly good enough to revive the genre, but instead help spark an offshoot of the genre along with bands like Green Day, the Offspring, etc. This album is a fun time and I appreciate the inclusion. 4/5

Tool is a band that thinks what they’re doing is a lot more interesting than it actually is. This isn’t fun. I did not enjoy listening. It was entirely too long and way to send indulgent. What the fuck are they doing, I don’t know. I don’t like it. 2/5

This guy’s got such an iconic voice. I imagine it’s very decisive, but it doesn’t bother me. The songwriting and lyrics are great, in my opinion. Instrumentation and production are alright. Not much there, but they’re far from bad. The final track is a bit of a throwaway, but it fits with the rest of the album, so, whatever. It’s quite nice, good pick. 4/5

The songwriting is what makes this band so special. The vocals and instrumentation are really nothing special. Production is noticeably inventive at times, but mostly, it’s everything it needs to be throughout the album. “I Like Birds” is a great example of what makes this album great. It’s pretty silly, but never to the point of being a silly album. They’re completely earnest in their delivery and the final product is a wonderful time. 4/5

This is unique, interesting, beautiful, and tickles a certain part of my brain that albums don’t often get at, yet never tickles enough of the brain to be worth it, to me, to listen to again. Great production, too. Good pick, comrade. Hope listeners are enjoying it. 4/5

I’m glad that you enjoy this album. I understand that it has nostalgic appeal to you, but if your wish was to get people interested in this band or French punk, then a shorter/studio album would have better results, I’d think. They’re very good live and the recording quality is on the better side. I enjoyed the instrumentation and vocals. I can’t speak for the lyrics as I don’t know the language. I enjoyed this, won’t be listening to this album again, but perhaps another one of theirs. 3/5

Surprised at this. I remember enjoying their other album on the list, but this one was just boring me to death. Not sure what happened. Really just could not get into it. The singer also sounded as though they were not into it either. That’s just my take. Not annoying and there was some good songwriting. Not my thing, though. 3/5

I don’t prefer any of these to their studio versions. As far as live albums go, it’s on the better side, quality and production wise, but I still don’t appreciate live albums. Apologies. Still, David Byrne’s stage presence is quirky and, at time, even charming. I didn’t hate listening. 3/5

I listened to this when it first came out. Was my first Jason Isbell album. Pleasantly surprised by the absolute quality of it. Pleasantly surprised to see it on this list as well. The songwriting feels fresh, the vocals are authentic, the instrumentation and production are spot on. The first half is better than the second in my opinion, or maybe the second half is just where you notice the lack of range, but overall I have no quarrels. Wonderful album and a great pick. 4/5

This was fun. Powerful and energetic instrumentation behind unique vocals. The songwriting was good for the most part, but it could get self-indulgent at times. It was never annoying, though. It's a good listen, good pick. 4/5

Although each song was meticulously crafted and thoughtfully executed, The War On Drugs forgets to add excitement to the mix. There are times when you could argue they are experimenting, but not enough to really provoke any interest. Some of the longer songs drone just a bit too long before they reach their point. Could have used a bit of editing, but this is a beautiful album. Lyrics, songwriting, instrumentation, and production are all gorgeous and make it easy to put yourself in the vibe the artist intended. I enjoyed it. 4/5

I don’t mind this flavor of indie pop-punk, but not for this many minutes. I found it intriguing that they went back and forth between punk and orchestral arrangements, so I’m not saying to cut them, but editing in some places would have been nice. I enjoyed all the songs, but it would have been a stronger album without a couple tracks. I enjoyed the vocals, production, instrumentation, lyrics, arrangements, structure, songwriting, and the last song especially. I’d listen to them again. 4/5

She has a soft style that doesn’t make the biggest impression upon the first or second or even third listen. She is, however, one of those artist who rewards you when it finally clicks. I’m not there yet for this album. This was only my second listen. I do wish her songs were more exciting or memorable is some way, but I enjoyed the whole thing. Her songwriting and vocals are unique, the production and instrumentation are both good. I have few qualms. Good pick. 4/5

There’s no one quite like Jack Johnson. Just a happy guitar playing guy. Easy going music, some may say it’s saccharine, but I’d argue it’s just right. Not too much range, but that’s not the point. Aim is to have a good time and I did. 4/5

Forgive me, but I found this to be boring. Lacking in any substantial excitement or intrigue. He sticks to what he’s comfortable with and he does it four times. He’s certainly pleased with how it sounds because the songs are so long. I’ll say that these aren’t annoying songs, just ones that are easy to tune out. I also thought his voice was bland. 3/5

Obscure and good!? That’s pretty cool. It’s not great. There’s a reason most people wouldn’t know this album, but I don’t think anyone should hate it. It’s not got the biggest range, but it is fun and energetic. I enjoyed my listen. I do wonder if they were saying anything of substance? I would have no idea. I suppose I could put all the lyrics into a translator, but I’ll choose to believe the lyrics were as good as the songwriting, instrumentation, production, and vocals. 4/5

I enjoyed this album more than the first and second time I listened. It was everywhere when it first came out and I could not understand the hype. Sure, this is good for dancing, but not too much else. The production is fantastic, especially with how they did her vocals. However, the songwriting is repetitive and the lyrics are silly. A friend of mine described this album as “thot music, not thought music” and I’m inclined to agree with her. This is perfect for the club, but I don’t drink. 3/5

I enjoyed this a lot. It felt really fresh and original. I don't know that they were doing anything that out there or unique, but it worked for me. No big notes. 4/5

While his next album will come across as unbearably saccharine, this album strikes a perfect chord between hope and struggle. I think it’s a beautiful piece of music that is deserving of all accolades. There’s good range, truly unique and refreshingly original songwriting, solid lyrics, spot on production and instrumentation, stellar arrangements, a good structure, and nice vocals. There would be very few things he could have done to tighten up this album. It works. 4/5

The production on this is incredible. You can really hear the over-exaggerated deep inhales before he sings another line. I’ll give it a couple things, yes the production, but also the range is better than I expected and the songwriting is unique enough to warrant mentioning. Lyrics aren’t the best, in my opinion, but the themes are there. Nothing in this album is bad for lack of trying. I’m glad people enjoy it. 3/5

I am impressed at how they are able to keep coming out with albums that sound nothing like what they’ve done previously, yet still undeniably Gorillaz. There are some really great songs on here, although some of them aren’t very exciting. I don’t understand how you can have so many talented features and use them so poorly. Where the fuck was Stevie Nicks!? I enjoyed listening, but it’s not my favorite from them. 3/5

Sometimes I feel like this album is not as exciting as it could be. There are moments on this album where that energy is achieved and it feels good and it feels right, but mostly, I’m left wanting more. There’s good range, production, vocals, lyrics, instrumentation, and songwriting. I enjoyed. 4/5

I've never been a fan of the Lumineers, not really into the boom, stomp, clap, "HEY" music of the 2010s. I don't have anything against this record as far as the quality, but it isn't for me. This is fun for some people, the songwriting, lyrics, and vocals were interesting and felt original, production was fine. I wouldn't say I was bored by this album, but it certainly did not make a big impact on me. Glad you enjoy it. 3/5

While a major complaint I have with a good number of albums on this site is a lack of range, there is another, equally frustrating problem but in the opposite direction: being all of the place. There are worse offenders than this album, but there’s a lot going on here with not as much cohesion as their first record. That is my main gripe with this album. The production is better, but not the best. Vocally, I actually think Dave is a really good singer. I believe, regardless of what you think of him as a person, that he is a talented singer with a lot of vocal range. He also showcased some original songwriting talent on this album that was good when this came out, but proved to be maybe his only good trick. That is to say, most Foo Fighters songs sound the same. Instrumentation and lyrics are both pretty solid for the most part. Not a bad album. An enjoyable one for me. 4/5

Not the most range, same flow over the same lo-fi beats for the most part, yet I find myself eager to re-listen. I had listened to her latest album, though I think I’ll like this more. It feels authentic, open, and vulnerable. Something that I always appreciate, but especially in this genre. This is different in my way of preference. Good pick. 4/5

This is a great choice. A fairly niche album that also slaps hard. The production is great, the lyrics are fantastic, and the songwriting is very unique. I could have done with more vocal range and the instrumentation was rather lackluster for an album that is, otherwise, so grand, but the overall range on this project is great. “Half Sister” might be my favorite. A very enjoyable listen. 4/5

Usually, I’m not a phan of these electronic dance records from the ‘90s. There’s always the chance that this one will be different, but it’s not, and it doesn’t even have the kindness to be short or at the very least not an hour and a quarter long. 2/5

I wish my Spanish was better, I could have enjoyed this more. This album rocked. I liked every song. Glad to have listened. Great pick. 4/5

The production and beats were alright, but the lyrics were atrocious and the vocals became annoying very quickly. The songs were repetitive and the album was too long as a whole. Even so, there was something endearing about his earnest approach to each and every song. It isn’t for me, but I am in no way confused why he has such loyal fans. 3/5

I can think of some people who might really enjoy this album. I don’t believe it’s a bad album, but it did not entertain me. Therefore, score is right in the middle. I’m glad you like this and can get something out of it. I wish I could too, but the vocals take me right out. 3/5

While my memory of “Pearl Cadillac” being a bop remains true, my expectation of similar quality for the other songs was apparently fraught. Being honest, the songwriting on this album is bad. Just bad, as if it was written by a student in a song writing class in high school. A lot of lyrics aren’t great either, but they feel especially clunky coming from him. Some of it feels like we should have maybe gotten another take, while some of it does genuinely feel unsalvageable. Not every track is like this. “Feed the Babies” is solid, but putting it right next to the hit on this album is not the best structure. It’s strange how stark the difference is between quality on “Pearl Cadillac” and everything else. It’s like they put all the production into that song and then just his guitar for the other tracks. I’m struggling to enjoy this because the amateur feeling keeps taking me out of it. On a better note, the range on this album is incredible. A total spectrum of emotions in a variety of genres. He’s got rock, R&B, country, punk, blues, soul, it’s very impressive. This is my type of music. I just wish they had tightened some of it up. I want to note that it’s not a Jimi Hendrix situation where the chaos feels honed and focused. This feels sloppy with no positive tradeoff. I was really expecting to love this. I know Gary can do better, and that’s what’s most disappointing. 3/5

Not sure if starting with the fourth of six is the best way to get people into a story, but the album was good and it doesn’t seem like the story necessarily needs to be listened to in chronological order. Given the lack of context and the length of the album, it would take a couple listens to really appreciate everything that’s going on with this album. I enjoyed the lyrics and production and instrumentation and vocals and songwriting all well enough. Some parts stood out as strong and no parts annoyed me so I would say you made a good pick. Well done. 4/5

Going back to these early hip-hop records with what we have coming out now puts into perspective how far the genre has come. However, it's important to keep in mind how essential this album was for the evolution of the genre. Personally, I got more enjoyment out of reading about the album than I did actually listening. The way people write about this album coming out at this specific time in this specific place like it was a black swan event. That's really exciting and these guys are really interesting and doing cool things like they are allegedly pulling inspiration from jazz greats. I say "allegedly" because I don't hear the jazz as much as is promoted. This leads me to my main point; this album is really solid and was an inspiration for millions, and for good reason, but I don't understand why people insist on bringing it up today as if it's still influencing artists. It did it's thing. Let it be. The artists they influenced are influencing people, but this album isn't one of those timeless ever relevant albums that never go out of style. So, my main quarrel is with the critics rather than the album itself. The album itself is really solid. Rakim's vocals and flow are unique and laid back and smooth, comparatively. The beats have those jazz samples as advertised and I can only imagine how fresh that must have been back when it came out. I didn't really care for the instrumentals as much, "Chinese Arithmetic" especially. The rhymes are innovative as well, apparently. I don't know enough about it, but Rakim is using internal rhymes which was new at the time, I guess. Innovation is cool. I appreciate and respect the risks they took on this project that they made in ONE WEEK. I also think the album cover is worth mentioning because the shitty pixelated "PAID IN FULL" pasted on is unintentionally hilarious to me, but, what's even funnier, is the fact that, between the two of them, it looks as though they're only holding one hundred dollars. They both look fly as hell, though. They deserve to, too. They just made a hell of a record. 4/5

I was expecting to like this more knowing only little of the band. Sorry to say, but I found it annoying and messy. Not quite obnoxious, but impossible to take seriously outside of the ‘90s. 3/5

These are fun, dance type beats. This album cover is a work of art. I can't stand it. I enjoyed listening enough one time through, although, I don't believe I'd like to listen again. Not much here for me, but I'm glad this is enjoyable for people. Good pick. 4/5

Really didn't expect the "mmm, watcha say" song to be gracing my ears this morning, but life is full of surprises. Another example is that I looked at the genre for this album and saw it was labeled electronica. I expected to hate it, but was surprised to find it not that bad. It was actually downright pleasant in some places. I don't think I'll be listening again, but it is a good album to start my day off with, so good pick. Good suggestion. 4/5

Wasn’t too much excitement happening with this one, but I enjoyed my listen thoroughly. I needed something calmer. I appreciate the submission, she’s very talented. 4/5

Before she made an alternate persona and created her debut album which has sold millions, there was a web page titled, “Stefani Germanotta, you will never be famous”. While this was cyber bullying, it was not incorrect. Stefani Germanotta is not, in fact, famous. Lady Gaga is. While this may feel like a distinction without a difference, it is one hundred percent true that Stefani will never be famous if she never allows herself to come through in her art. Yes, she is a fantastic singer, yes the production is great, yes the songwriting feels fresh and original. Yes this is, on the surface, a great album. However, my one complaint, and it’s a big one, is that Lady Gaga’s lack of dedication to any style and lack of any emotion in her execution brings the enjoyment for down immensely. She’s a chameleon and can do pop or country or even those old Great American Songbook classics with Tony Bennet, but who the fuck is she really. We may never know and it’s a little frustrating because, maybe she wasn’t a very interesting person before, but you can’t live a life that she’s lives and not have an interesting perspective. This point of view has never been shared and I just feel as though she is a phony because of it. I can enjoy this album. I don’t have much trouble doing so. It’s really solid, but the foundation isn’t. 3/5

Such sadness, and yet so hopeful. Not a single bad song, though some stick with you more than others. Perhaps my favorite album of his. It’s one of my favorite albums in the depressing-indie genre. Very good work Sufjan. I “enjoy” this immensely. 4/5

How dreamy! These guys can rock pretty hard. It’s good, but it ain’t my genre. Good choice, glad you like it. 3/5

It’s a beautiful piece of art that gets lost in itself and a listener may find themselves getting lost in this world as well. I might be able to one day, but for now, I just appreciate dearly. 4/5

Save for the 36 second interlude that is the third track, every song has features a different artist and I find it very interesting that the last three don’t. The album deals with some of Tyler’s most personal struggles and finding himself alone on the last three songs is something that works with that narrative. It’s a small detail that I think really served to make this album great. This happens throughout the entire album. Where his next album is great because it is so fully realized and cohesive, this one is made up of little things that make it better and better. Just look at the tiny McLaren on the album cover. If I had one complaint, it would be that the album is not entirely cohesive, but I really enjoy it. Great, great pick. 4/5

Not my favorite French pop album, not a phan of the production, but it’s good and I’m not surprised people enjoy it. Not my style. 3/5

This was fun. I don’t think that one song needed to be so long, but whatever. I enjoyed it enough. I fear that it’s a tad forgettable because of how derivative it is. Whatever, let’s go Brit Ships! 3/5

Though it is probably longer than it needs to be (remove the instrumentals), this was such an enjoyable album to listen to for the first time and I will most assuredly enjoy listening again in the future. The range is not only vast, but also surprising in the direction they chose to go with their range. Good stuff, good pick. 4/5

This was a nice detour into pop punk. Not too much range, but it never got offensive. The vocals, production, instrumentation, lyrics, and songwriting were all good. Could have done without that last sixteen minute long song, but I have to say, for a song that is over twice as long as the second longest song on this album, it does a great job of staying fresh and not getting annoying. Glad to have listened, great pick. 4/5

The lack of range made this a little boring, but I was not annoyed by it. Coincidentally, I latee saw this album for sale today after listening. Do with that what you will. 3/5

What a beautiful album with a good amount of range as well. I see nothing wrong with it really. I don’t believe it to be as memorable as it could have been, but that’s not a reason to dislike an album. It just means I’ll have to go back and re-listen to get all I can out of this album. She did a wonderful job. The production, songwriting, lyrics, instrumentation, and vocals are all phantastic. What a delight to get to listen to this. Thank you for the suggestion. 4/5

They sound a little like Pink Floyd in their later albums (which is the worst Pink Floyd era) without any of the experimental aspects. That is to say they sound rather boring. Nothing wrong with them, I suppose, but I get the feeling this wasn’t the best they could do. The songwriting could have been better, the vocals and instrumentation are lackluster, production feels rushed, lyrics are fine, nothing is great, nothing is terrible. It is all very tame, no? I’m glad that you enjoy it. 3/5

I knew I wasn’t going to like this album the moment I saw those big fucking eyes. This album is too long and filled with songs that all sound like shittier versions of the Beatles’ “Being for the Benefit of Mr. Kite!”. I found the whole thing rather boring and, at times, a little offensive. 2/5

I am conflicted, honestly. Whilst listening, I thought, “What a completely original and unique sounding album. I can’t believe how interesting this sounds and that it came out so recently. What a gem of a find!” and now I can’t seem to recall any aspect of it. How could it be so great to listen to, and yet so forgettable. I don’t know, I enjoyed it and I’ll have to listen again and maybe then I’ll have an answer, but for now, take this rating. 4/5

This is a quite a short and, sadly, forgettable little album. It’s sort of interesting what they’re doing and maybe if I had never heard anything from the eighties onward, I would be more impressed, but along with the context of modern music, this falls flat. It wasn’t offensive. It’s cute, which is not a word I believe I’ve ever used to describe an album. I’m glad to have listened, though I don’t think I’m the target audience. 3/5

This lives on the edge, in my opinion, of eighties music that is or is not annoying. Unfortunately, the closing track, “Weird Science” seals the deal for me as an annoying album. Similar to Devo, honestly. I suppose I should have been expecting this from a band called Oingo Boingo. 3/5

In my opinion this album needed more lyrics. The instrumentals aren’t interesting enough to stand on their own. That’s just my opinion, but I thought it was boring. Great production and instrumentation, though. 3/5

Dave strikes me as the type who studied a lot of different cultures, but refuses to let himself actually seep into their lifestyle. What he’s left with is the knowledge of practices that he can pick and choose from without going “too far”. To me, this just lends itself to songs that can never be fully realized. There’s aspects of styles from the Middle East, Americas, Africa, Europe, and South America (Asia? not sure I got anything from there. I definitely didn’t get anything from the great continent/country/island of Australia, so we know where Dave’s boundaries are). It’s not blended nicely, it’s muddled in a way that, I imagine, you can only enjoy stoned or on some other combination of drugs. Furthermore, the instrumentation is completely lackluster. Feels like they’re somehow playing in slow motion, It gives me a headache. Don’t fucking get me started on this guys voice. Holy shit. Perhaps I am missing something, but Dave Matthews feels pretentious to me. 3/5

The production isn’t great, but that’s my only complaint. The songwriting and range really impressed me. The instrumentation is killer, as expected. Lyrics are fine, but I’m not stressed because the way he sings makes it all work. Badass album. Stellar pick. Enjoyed this. 4/5

This was fine. I didn’t hate it, but I’ll need to listen a few more times to decide if I enjoy it. I liked a couple songs, but the album as a whole lacked range. Interesting pick, though. 3/5

A pleasant trip back to the nineties. No, this hasn’t aged like fine wine, but it still holds up alright. The songwriting is strong, but there’s not too much range. It never gets annoying, but the length isn’t justified. All in all, I enjoyed listening, but will not listen to the whole album all the way through again, just specific songs. Good suggestion, great album. 4/5

Let’s say, for the sake of argument, that they are, in fact, giants. And we’ll also say, for sake of argument, that we did join them. We must then realize that this does not make us giants as well. No, we are still normal people. Regular size. What the fuck am I going on about? Well, while the big bosses are deliberating whether I should continue to get paid, let me explain. These guys have something here and have had it since the 80s. Some people get it and others don’t. Those who get it, are giants. Those who don’t are just too short to understand. I’m probably medium height in this analogy. I understand what they’re doing and I think they’re being clever, but does it work? Eh. Some of the gimmicky stuff they do on this album is their brand and it’s tried and true, but it’s kind of all they got. The vocals are nothing special. I’ll give them that they’re creative songwriters, but what good is that if the songs can’t do it. Production is fine, instrumentation is too. I appreciate how weird these guys are. I’m thinking they are a delight, actually. You know what, well done. Congrats. Fantastic pick. I’m proud of you. 4/5

I can’t really find anything wrong with this album. I enjoy it immensely. I don’t care for the little interludes it contains, but they do add to the album as a whole and their quality and quantity is better than most. The lyrics are fantastic, the production is beautiful, songwriting is original, fresh, and unique, just like the whole album. If I got it this right, I would also be afraid to make another album for over a decade. Great suggestion. Love this album. 5/5

Bad. Live album. Too long. Unjustified length. Features were good. Cocker’s voice is truly incredible. What he did to “Cry Me a River” is a crime. Did I say too long. Fair selection of songs, but let’s get some more originals in there next time, huh? You got to try one of your own eventually. I like Joe, but would have appreciated another album from his discography. 3/5

After listening, I have the impression that this would be an album that Steven Seagal would love. If it isn’t clear, that’s an insult. I don’t think he can sing well. The guitar playing is, technically good, but way overboard with no attempt to try and make it fit in with anything else. Stylistically all over the place, this album is a whiplash of different genres crammed into one undeserving album. I didn’t really enjoy it. I’m glad you like it. I couldn’t get into it. 3/5

Does anyone know where this was performed. I hate when they don’t mention it. For real though, he must have called out Las Angeleeees twenty times. One or two times is endearing, this just felt completely disingenuous. The whole thing did and, with a live album, that’s what matters most because they are speaking directly to live people. Ruins the whole thing if the performer feels like they don’t respect an audience that is, literally, in front of them. The instrumentation was good. Technically talented, but emotionally vacant. The singing too. Production was hogwash. I’m not a phan of live albums. 3/5

A tad conflicted on this one. It’s fine. I wasn’t blown away, but the more research I did, the more respect I had for the amount of work that went into the album. It didn’t make my experience any more enjoyable, but it was interesting. I’d say, if you haven’t already listened, go and read up a little on this album and the plot. It’ll make things make a little more sense. They play well together, the songwriting is good, the vocals are fine, the production is fine, lyrics are alright. Nothing glaringly terrible, but I personally thought it was a little boring. Good suggestion, I’m glad to have listened and learned. Thank you. 3/5

It’s this sort of brit pop post punk sound that made me doubt the original list. Give some light to the genre, but not that much. Conversely, this is the first of the genre that I believe I’ve come across on the user list. Have I missed it? Not really. Made me a tad nostalgic, but I was back to my old pessimism by the end of the album. I wonder questions along the lines of, “how long is this song?”, “when will it end?”, “is this song on the album twice or does it just sound the exact same?”. Maybe I need to open my mind more. Point is, I didn’t enjoy this. Not obnoxious, quite good, actually, but not my style. 4/5

I like this a lot. A refreshing genre on the list. Not enough psychedelic rock. To be fair, this was a little late, coming out in the ‘70s, but that doesn’t take away the fact that it hits hard, efficiently, and effectively from start to finish, even if it just barely missed the bus. It’s short and to the point. The songwriting is great and the lyrics are as relevant today as they were then. Not a lot not to like here. Great suggestion. Glad to have listened. 4/5

You know what, this rocks, it’s not like something I’ve ever heard, it isn’t bad; this is a great submission. Great choice. I enjoyed listening. Not the greatest album, but it’s definitely fun. 4/5

I love Amyl, she’s great. Love her attitude. Love the lyrics. Love the instrumentation. Love almost everything about this. All great songs. Thank you for giving me an excuse to listen to them again. Cheers. 4/5

Peter? Phil? Which one is this? It’s not the singer’s fault that he sounds like Genesis. I bet they’re tired of getting that, but it is worth noting. If my band’s singer sounded exactly like another very famous artist, I’d work hard to make sure the rest of the band didn’t emulate the stylings of said band. I can’t say this is the case with Marillion. Listen to the punchy drums. It’s too much for me. The guitarist is different, but nowhere near different enough to take me out of my thoughts of derivativeness. Songwriting is fine, but I don’t appreciate that there are songs on here less than two minutes and songs that are nearly ten minutes long. Both of these lengths stand out. One needs more fleshing out and the other could do with some editing. I can’t say that I really enjoyed it. Not my style, but it isn’t bad, just derivative and all over the place. Glad you liked it and that there are some people here who seem to enjoy it as well. 3/5

I think every album should have a song or two that sounds like these. Sorta lo-fi, stripped down, cutesy little things. That being said, a whole album of them, though an interesting concept, doesn’t quite hold up, in my opinion. This needs more instrumentation, production, vocal range, something to break it up. I actually think this is one of the best albums I’ve heard in terms of keeping the listener interested with lyrics and songwriting alone. Good job there, Tywanna. I enjoyed this album, but wanted to hear something more. 4/5

Little pretentious, but that doesn’t take away from the fact that they rock pretty hard. I just know the singer thinks his shit don’t stink. Who the fuck performs in the catacombs. What an ass. Anyway, yeah, it’s great. I enjoyed it except for the fucking commercials they edited in. Fuck that. There’s enough already. 4/5

I only knew one song off this album, but I am glad to now know more songs off this album. They have good songwriting and lyrics. The vocals, instrumentation, and production all blend together very nicely. I think I just got fired from my job, so that’s a bummer, but this album slaps a good bit so it ain’t all bad. It is what it is. 4/5

Take off the last four songs on the album, which are the only instrumentals and you have a forty four ish minute album. Arguably a better length. I’m usually against instrumentals when artists have proven that lyrics enhance their sound, but this one might be an exception. My complaint is not that the instrumentals were boring. Far from it. Those were some of the grooviest, happening tunes I’ve heard in a long time. Incredibly produced. The whole album is. Anyways, my complaint is that the placement of the instrumentals is strange, to me at least. Why are they all together at the end. Spread them out. I feel like that would make the whole thing so much more cohesive. The features are spectacular. Really grand. I can’t get too mad at anything on this record. They knocked it out of the park. It’s one of those records that grows on you over time. I appreciated this ten times more on this listen than I did on my first. This was a great choice. Well done. 4/5

A buddy of mine recommended I listen to this after I complained that I couldn’t get into hardcore. The lyrics are unintelligible and he said that he wrote his senior thesis on harsh noise music and it’s actually pretty interesting how the ears adjust to it. People can identify different artists and songs where non-listeners just hear it all as static. That’s wild. I know that if I kept listening I would find more and more to appreciate, but as it is, where I am in my life, I have a hard time enjoying this genre. Sometimes I feel as though they alienate themselves on purpose so that the only fans they have are die hard beliebers. I’ve never known anyone who didn’t feel strongly for or against hardcore. Always love or hate. I want to love, but perchance I’m drinking too much haterade. Kill me. It won’t make a difference. 3/5

I don’t mind the nonsense, but, honestly, it was kind of boring. Didn’t excite. It was fine, though. Unique and unlike most submissions. Good choice. 3/5

What a great introduction. Short, to the point, included all relevant information, and it blended very nicely into the following song. Said following song would be the real “opener” for the album. The one that should stick out and be the decision maker for some people on whether or not to purchase the album. Perhaps the best they have to offer. Odd lyrics. Not a phantastic song, but, much like the intro, it fuckin grooved hard, baby. Over too quick, though. What comes next is the obligatory psychedelic 60s rock song that compares a woman to a drug. Again, this song didn’t blow me away and it was too short, but it had a nice flow and groove and I haven’t minded listening one bit. “I Was Cool” provides a bit of range to the album. Demonstrates a different style of vocals the singer can put on. Songwriting and lyrics are unique enough to catch my attention. I liked this one a lot. Not too short either, but it didn’t overstay its welcome. Very nice song. The next song wasn’t quite an instrumental, but I could hardly make out the vocals for the twenty seconds they were featured on this track. Not a phan of “Walter Sly Meets Bill Bailey”, although, that one guitar riff was pretty sweet. “Air” time. We’re using a sitar. Derivative? Have they heard “Within Without You”? It came out the previous year. It’s more than possible. It’s downright probable that these guys are ripping off the lads. I guess we’re going to copy the Kinks next? I don’t know, “Lookin’ for a Happy Life” reminds me of something they’d do. “Flames” felt like it was from the seventies, but still a little boring. “What’s the Point of Leaving” trickled along very nicely. Very good vibes with that song. Perhaps my favorite on the album. “Long Night of Summer” is just another flower power song. Nothing special about it. That’s kind of how I feel about the whole album. It’s a product of it’s time that’s too afraid to really delve into something unique/different and, therefore, interesting. “Dream Starts”. Alright, I’m starting to get concerned about how different these songs are sounding from each other. Range is one thing, a complete lack of cohesion is another. At least they song like they’re all from the same band, but certainly not the same album. Most likely the reason they were never able to break through was because they were unable to stay focused. Second to last song rips off early Pink Floyd. No one is surprised. Great closer. This one didn’t sound like anyone else. Or at least as much as they’re able to sound unique. This album was slightly derivative, funky, lyrically by the book, very phun, and for sure a keeper. I’ll enjoy listening again. Not the most original, these types of albums were a dime a dozen back then, but I enjoyed it and I thank you for the submission. 3/5

This guy is copying everyone in the book. From subtle to direct, he always fails to outdo any artist he attempts to emulate. Makes him seem pretentious and out of touch. I believe he would be talented with a different style of songwriting. This is not an offensively bad album. It’s a fine piece of music. I didn’t really enjoy it, but it ain’t for me. 3/5

A foundational text in the feminist punk movement. These are some rockin’ jams. They all sound pretty much like the same song so it’s a good thing that song fucks. It fucks hard. I enjoyed this a lot. Great submission. 4/5

Not my favorite of Bon’s. His previous two were heartfelt. This one didn’t quite reach that mark. The production was more involved, but ultimately it still ended up sounding more boring. I’m glad his latest album is a bit of a return. This is not my favorite era for Mr. Iver. 3/5

This guy sounds like a dork. The music is both sparse and very busy. Few elements, but none go together. Lyrics are pretentious. I didn’t really enjoy this, but I understand why someone would. 3/5

This is the third Lady Gaga album that has appeared on the user list, though none appear on the original. Isn’t that interesting? In my opinion, this is one of her better albums. Perhaps the one that is most true to her, the most unique compared to anything that was coming out at the time, and the most fully realized. She uses a variety of styles throughout the album and they work fairly well together without ever feeling too messy. There’s a pretty solid through line of ancient roman deity imagery in the first couple songs that fades pretty quickly before the album devolves into her regular nonsensical themes. The lyrics could have been better thought out. This album is danceable and club perfection. She achieved what I believe she was going for, but failed to make it too interesting for an in depth listen. That isn’t everyone’s thing, though. Whatever. Do what you want Ms. Gaga. I enjoy this album. 4/5

Phish has 834 live albums as of the time of this writing. You chose, what seems to be, the first. This isn't important to the review, just thought I'd mention it. The instrumentation is great and the energy is up throughout the show. Vocals are fine, but the production ruins it. Fails to capture everything that’s going on. Why pick a live album. Phish’s best album isn’t on the original or user list. Why not submit one of those? Why this? This is not the best introduction into their content. That’s just me. I think I would have enjoyed a better sounding and shorter version of this. This was too much poor quality for me. Glad you like Phish. 2/5

This is great. More of this. More punk. More all female bands. Great suggestion. Love the energy, lyrics, vocals, instrumentation, and songwriting. Amazing stuff. 4/5

Nice shoegaze. I’m not into shoegaze, but from what I know of the genre, this is really good. I didn’t necessarily enjoy it, but I approve of the submission. Also, why not pick “Akuma No Uta”? Just wondering. Good pick. 4/5

As far as the electronic genre goes, this has got to be one of, if not, my favorites. I’m not a big phan of what the genee has to offer so this was a pleasant trip into the possibilities of electronic music. For that reason, I say that I respect the choice, but don’t think I’ll be listening again. Good suggestion. 4/5

When does the album start. It was like the first minute and a half of “Shine On You Crazy Diamond, Pts. 1-5”, but less interesting and for an hour. Felt like it was really building to something that could have built to something. I don’t know, I have very little to say. There’s so little here and it all sounded the same. I don’t get it? I don’t know. I just don’t fucking know anymore. 2/5

Well, I’ll say this. There isn’t much out there like it. I enjoyed these ballads and stories, but they aren’t very fun songs to listen to. The lack of any section that repeats in any given song, such as a chorus or refrain, makes it more difficult to remember what you just listened to once you’ve finished the album. This isn’t the only album that does that and I don’t disagree with that approach philosophically. The impression that it leaves just is not a strong. Songwriting is original and phresh, the vocals are good enough, so is the instrumentation, production is notable, but not too notable. Lyrics are really where this is at the sky said so many words. I don’t know how he remembers them all live. This was a fun album. I’m glad I listened. Good recommendation. 4/5

Though, I would love to give this album a perfect score, I do have a gripe. It isn’t big, but the second half of this album drags a little. Individually, the songs hold up great, but in a row, they blend together. Otherwise, incredible vocals, production, instrumentation, songwriting, and lyrics. Definitely should have been included on the original list. So glad to have finally been given a reason to listen. Thank you for the submission. 4/5

I wasn’t a phan of the seventeen minute closer that contained five minutes of silence before anticlimactically going into some random conversation, however, take that song out and the album is great. Definitely an acquired taste, but today I enjoyed. 4/5

2007 is real late to the ska game. A whole ten years after The Mighty Mighty Bosstones released “The Impression That I Get”. Admittedly, there is a genuine touch of innovation going on, they original and unique, and the quality of every song is good to great. However, every song also sounds pretty darn close to one another. All things to keep in mind, but mindless, it’s a wonderful and fun filled time. I enjoyed and you should too. 4/5

It’s a crime that there are no other Chuck Berry albums anywhere to be found on both the original and user list. I would have gone with “Berry Is On Top”. More hits, classics, a better introduction, and, in my opinion the best example of what Chuck does. However, this album is great and contains a good number of classics. The sequel to “Memphis Tennessee” starts you off nicely and the rest of the album is full of bangers. I was never a phan of his instrumentals. They could never really stand on their own without lyrics, but I’ll take it. Great suggestion. Always happy to revisit Chuck. 4/5

I’ve never been the biggest phan of David’s style of vocals. They could get on my nerves very quickly. I was very intrigued to hear what a Talking Heads album would sound like without him. I was halfway through the second song when I started reading all the bad reviews. I thought it sounded pretty good, but then Debbie Harry started in with the title track and it felt much weaker. Maybe this is where it goes downhill? “Never Mind” kicks in and my fears are confirmed. This is a soulless attempt at getting back at David. I’m surely that wasn’t their only reason for making this album, but there’s very little here that is worth keeping. Every song has parts that make me think, “Hey, that’s kind of interesting, that ain’t too bad”, which leads me to the opinion that Mr. Byrne was the glue that held this band together. No shit, but all of the little bits that came from the rest of the band fall to pieces without their charismatic frontman who is able to understand how to use all their bits to their fullest potential. As the album continues, I feel more and more depressed that they decided to make this. You must have known this wasn’t a strong record. I’m getting absolutely no personality from these guest singers. I don’t mind “No More Lonely Nights”. I wouldn’t want to listen to it again, but there’s something there. However, the following song is atrocious from the start. None of these songs capture the sound of the original Talking Heads, but “Indie Hair” sounds closer to John Mellencamp or Dave Matthews than Talking Heads. “Punk Lolita” is offensive for multiple reasons. I appreciate the inclusion of this album on the list because I think it’s interesting and important for any phan of Talking Heads or whatever combo of 80’s electronic/pop/rock this is trying to imitate. I didn’t enjoy listening, but it was entertaining to learn about. 2/5

Listen to some Sam Kinison stand up and tell me you can still take this seriously. The instrumentation and production is insanely good. Loved it all except the vocals. Good pick. This is a great album, just not my taste. 4/5

This was fun, not a big phan of compilation albums on the list, but as a vessel of introduction to a relatively unknown artist, I think it’s alright. There’s some decent range, but it’s over an hour long, so there’s only so much she could do. Vocals and songwriting are beautiful. I can’t speak for the lyrics because I can’t speak Portuguese. I enjoyed it. Thanks for the introduction. 4/5

A ‘90s classic. Misunderstood steampunk goths loved this, and they still do. The songwriting is pretty good and fairly original, the vocals aren’t bad and they’re immediately recognizable, lyrics are good, instrumentation and production a good enough. Not the best album from the ‘90s, too inconsistent with the quality of songs throughout the album, but one that I enjoyed listening to. Good pick. 4/5

I really enjoy Mr. Doom when he’s rapping about anything at all. He had, perhaps, one bar about Oreos and I’ve been thinking about them all day now. Haven’t craved an Oreo in years. MF has a way with words. His lyricism is unmatched and possibly my favorite in the entire genre. The way his flow works flawlessly with the lyrics, production, and beats makes this album have a velvety smooth feeling about it. Red velvet cake, I don’t know, there’s food about. So, my complaint. This album is damn near fifty minutes long. Nothing wrong with that. However, I would argue that a third of this album (sixteen minutes) is dedicated to samples. I don’t have any issue with any specific sample on this record. They’re all fairly well implemented and relevant. It’s just the sheer volume is overpowering. It makes the whole thing much less enjoyable for me. That’s just me, though. I haven’t found anything or anyone who’s able to explain why so much of the album is samples. If anyone has any thoughts on why this is, please explain here- https://www.reddit.com/u/Binger-Bonger/s/Up7VNLRSDp Anyway, I really enjoyed this album besides the extensive sampling. Good pick. 4/5

When I first saw the title I read it as “The Untolerable” and, after listening, I think that would have been a more apt name. That’s a little harsh, but I don’t like Mark Smith’s voice. I love the instrumentation, production, and songwriting. I may also have enjoyed the lyrics if they weren’t sung by Mark. Oh well. This is good for others, I only enjoy parts. 3/5

I’ve never been more delighted listening to an album that sounds like nothing I’ve ever heard before. A great mix of genres and a lot of range. This is a really solid album and a hell of a good choice. Thank you for sharing. This is a true gem. 4/5

Relaxing album. Good vibes, great for driving through the corn fields at golden hour. I wish there was a little more going on production wise and the range was broader. The production is good, but not very adventurous. It just makes it harder to remember and distinguish the songs. The songwriting, lyrics, vocals, and instrumentation are all great. This was a great suggestion. Thank you, I enjoyed it. 4/5

Gosh, I just know I would have loved listening to one of their studio albums. Not the best introduction to the band (I have a thing against live albums), but I will continue investigating their discography. The instrumentation is noticeably lovely and the wide range of instruments stood out. That was nice. Not the worst live album I’ve heard. Whatever choice. I don’t know. God is dead. Life is meaningless. Three stars. Who fucking cares anymore. 3/5

This album is wonderfully produced, yet the production still takes a backseat to the vocals and guest appearances. While the features are star studded, they should not steal the show and I believe Daft Punk relied too heavily on their guests to carry the album. Their usually immaculate and innovative production is still immaculate, but it is not necessarily a step up from any previous album. Maybe they wanted a less is more, but the vocals are so much more so it feels off balance. That’s my big complaint with this album. I otherwise really enjoy it. Discovery is better, but every song on this album feels different and is easily identifiable while still remaining cohesive. Great choice. 4/5

The couple songs on this album with lyrics are so much more enjoyable for me than the instrumentals. Even when she just says “Far away, yesterday” over and over again. Good stuff. The fifteen minute song at the end was unnecessary. It never ended up being worth it. The production is phantastic. A really enjoyable listen for any audiophile. Lyrics were alright, vocals were alright, but they were unique which is better than technical talent, the instrumentation was good, songwriting felt original. This was a good pick. Thank you for sharing. One of the only electronic albums on this list I’ve enjoyed. 4/5

Great ambient music. Shit genre. Thankfully less than a half hour. Keep it short. 3/5

Well that was enjoyable, but I can’t recall a single line, melody, or instrument. I honestly don’t know if I have or haven’t heard this album before. This happens with a lot of albums that have similar songwriting and production from song to song. There needs to be something the liven up the track list and set the album apart from itself. That’s just my opinion and suggestion for Sampha. Although, I’d recommend they also don’t listen to me because they made a really great record. It is a phantastic listen from start to finish. I enjoy this album. Good suggestion. 4/5

The production is phantastic. Some of the best I’ve heard. Some of the songwriting, instrumentation, and lyrics all sound about ten years older than they should, but the songs are still quality. Vocals were nice. Longer than it needed to be. Cut something, there’s plenty of experimental bits that could have been shortened. Conversely, they could have chosen to cut some of the safer songs. Whatever, I don’t know. An hour ten is too long for an album. Great suggestion. Unlike anything I’ve heard yet. Immensely original. Glad to have listened. 4/5

An album that is the perfect mix of Britney Spears style pop anthems with the energy and urgency of Fiona Apple. Fun to listen to AND healthy. I liked this a lot. Great suggestion. 4/5

Well, well, well, if it isn’t Beyoncé. Then who is it? On this album, the queen has ventured into the realm of EDM and club music. Not my favorite genre, but she does a fairly good job. As always her vocals are both technically brilliant and stylistically instantly recognizable as hers and hers alone. What a powerful voice. Her energy has not lessened with age which is good. The songwriting and lyrics were fine, I was not blown away by any of it. Sometimes, it honestly veered into being a little annoying at parts. The songs sound the same to me. Start to get predictable towards the end. I also don’t know that it needed to be an hour long. Just throwing that out there. This isn’t my favorite B album, but it ain’t bad. Glad we got another one by her on the list. 4/5

The best thing this album has going for it is its originality. Not insanely original, but the experimentation combined with the catchiness of most songs makes this particularly memorable. A delightful listen. I wish I had listened to this while doing math homework. Didn’t like the instrumentals that much and the last song was a bit of a bore, but otherwise, absolutely brilliant. 4/5

This was a fun outing. I can appreciate some anti establishment, yet wholesome and joyful ska. I had fun listening and will probably take it for another spin sometime. Good pick. This was enjoyable. 4/5

The seamless mixing of genres is incredible. Jazz-punk. What a fuckin combo. Not sure how you discovered this, but great suggestion. I had a lot of fun. 4/5

I don’t like his voice. Sue me. Instrumentation was loud (in the gaudy sense of the word). It’s fine, actually, just not my style. 3/5

This album is immaculate and flawless and impossible to judge. It was made for plants and plants are, at this moment, unable to communicate whether or not they appreciate this. However, that being said, be that as it may, all things considered, I like it a lot. One of the best and most original albums. Real fine work, Mort. 5/5

Not the worst electronica album, but still one of my least favorite genres. A little boring, but a fine suggestion. 3/5

I enjoyed this. I don’t know about you all, but the mouse has no reason to be so modest. Good, solid songs throughout the album. Never amazed me, but parts surprised me with their originality. I wasn’t expecting this level of quality from only having ever heard their big hit. Nice pick. 4/5

I really enjoyed the concept and the execution up until the 10th minute of the weather channel. Why was it half weather? That was so strange to me. I hope I’m missing something because it feels like they had a lot of momentum, but then hit a whirlpool and got stuck. Anyways, good production and songwriting and sampling. I enjoyed it for the most part. Very good pick. Thank you. 4/5

I almost enjoyed this, but something about the production or the lyrics or the style of singing or the way they played was off. On their own, fine, but combined, they don’t quite fit together and it makes me head hurt. :( This is a good album, but I won’t listen again. You can’t make me! 4/5

I love the noises, even if they are angry. The production is immaculate from the first note. I love the heavy brass. It’s chunky and full and everything I want it to be. Excellent choice. 4/5

Fun in a jazz lounge, a little flat hearing it through a speaker. Jazz is funny like that. The production isn’t my style, but nothing wrong with this. It’s fine. 4/5

He experimented more in his early career. This felt fun, new, like we were along for the ride with him. Thoughtful and genuine. Never losing sight of the vision, but also having a blast the whole way there. Great pick. I miss the old Tame Impala. 4/5